Funk is a music genre that originated in the mid- to late 1960s when African American musicians created a rhythmic, danceable new form of music through a mixture of soul music, jazz, and rhythm and blues (R&B). Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. Funk songs are often based on an extended vamp on a single chord, distinguishing them from R&B and soul songs, which are built on complex chord progressions. Funk uses the same extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths.
Like much African-inspired music, funk typically consists of a complex groove with rhythm instruments such as electric guitar, electric bass, Hammond organ, and drums playing interlocking rhythms. Funk bands sometimes have a horn section of several saxophones, trumpets, and in some cases, a trombone, which plays rhythmic "hits". Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with heavy emphasis on the first beat of every measure, funky bass lines, drum patterns, and syncopated guitar riffs. Other musical groups, including Sly & the Family Stone and Parliament-Funkadelic, soon began to adopt and develop Brown's innovations. While much of the written history of funk focuses on men, there have been notable funk women, including Chaka Khan, Labelle, Brides of Funkenstein, Klymaxx, Mother's Finest, and Betty Davis.
As If is the sixth studio album by American dance-punk group !!!, released on October 16, 2015 on Warp Records.
Three official singles have been released from As If: "All U Writers", a 5 1/2 minute (5 minutes on the album) long song featuring vocals from Teresa Eggers, released 28 April 2015. "Freedom '15", a groovy leviathan of a disco track, released 30 July 2015, and features vocals from Yolanda Harris Dancy and Taletha Manor. A lyric video for "Freedom '15" was uploaded 20 August 2015. The third single from the album, "Bam City", was released 30 September 2015, with an accompanying music video. "Ooo", a grooving love song, was released with an accompanying music video on November 16, 2015.
One promotional single has been released from the As If: "Sick Ass Moon", an "R&B-tinted house track", released with "Freedom '15" on 30 July 2015.
In a positive review for Exclaim!, Daniel Sylvester called the album "one of the most enjoyable, if schizophrenic, dance albums of the year."
"Funk" is the twenty-first episode of the American television series Glee. The episode was written by series creator Ian Brennan and directed by Elodie Keene. It premiered on the Fox network on June 1, 2010 and was watched by 9 million viewers. In "Funk", New Directions is intimidated by rival glee club Vocal Adrenaline. Jesse St. James (Jonathan Groff) defects back to Vocal Adrenaline, and New Directions explores funk music, knowing it is their rival club's weakness. The episode features cover versions of six songs, all of which were released as singles, available for download, and two of which are included on the soundtrack album Glee: The Music, Volume 3 Showstoppers.
The episode received mixed reviews from critics. Lisa Respers France of CNN and Blair Baldwin of Zap2it both received the episode positively. Todd VanDerWerff of The A.V. Club, Entertainment Weekly's Tim Stack and James Poniewozic of Time highlighted continuity issues with the show, while VanDerWerff and Henrik Batallones of BuddyTV deemed "Funk" a set-up episode for the season finale. Bobby Hankinson of the Houston Chronicle gave a more positive review, but still found "Funk" lacking compared to previous episodes, a sentiment shared by Aly Semigran of MTV.
This article incorporates text in the public domain from the 20th edition of Gray's Anatomy (1918)
The skull is a bony structure in the head of most vertebrates (in particular, craniates) that supports the structures of the face and forms a protective cavity for the brain. The skull is composed of two parts: the cranium and the mandible. The skull forms the anterior most portion of the skeleton and is a product of encephalization, housing the brain, many sensory structures (eyes, ears, nasal cavity), and the feeding system.
Functions of the skull include protection of the brain, fixing the distance between the eyes to allow stereoscopic vision, and fixing the position of the ears to help the brain use auditory cues to judge direction and distance of sounds. In some animals, the skull also has a defensive function (e.g. horned ungulates); the frontal bone is where horns are mounted.
The English word "skull" is probably derived from Old Norse "skalli" meaning bald, while the Latin word cranium comes from the Greek root κρανίον (kranion).
The human skull is the bony structure that forms the head in the human skeleton. It supports the structures of the face and forms a cavity for the brain. Like the skulls of other vertebrates, it protects the brain from injury.
The skull consists of two parts, of different embryological origin—the neurocranium and the facial skeleton (also called the viscerocranium). The neurocranium (or braincase) forms the protective cranial vault that surrounds and houses the brain and brainstem. The facial skeleton is formed by the bones supporting the face.
Except for the mandible, all of the bones of the skull are joined together by sutures—synarthrodial (immovable) joints formed by bony ossification, with Sharpey's fibres permitting some flexibility.
Skull symbolism is the attachment of symbolic meaning to the human skull. The most common symbolic use of the skull is as a representation of death and mortality.
Humans can often recognize the buried fragments of an only partially revealed cranium even when other bones may look like shards of stone. The human brain has a specific region for recognizing faces, and is so attuned to finding them that it can see faces in a few dots and lines or punctuation marks; the human brain cannot separate the image of the human skull from the familiar human face. Because of this, both the death and the now past life of the skull are symbolized.
Moreover, a human skull with its large eye sockets displays a degree of neoteny, which humans often find visually appealing—yet a skull is also obviously dead. As such, human skulls often have a greater visual appeal than the other bones of the human skeleton, and can fascinate even as they repel. Our present society predominantly associates skulls with death and evil. However, to some ancient societies it is believed to have had the opposite association, where objects like crystal skulls represent "life": the honoring of humanity in the flesh and the embodiment of consciousness.