"Singing the Blues" is a popular song written by Melvin Endsley and published in 1956. The song was first recorded and released by Marty Robbins in 1956. (It is not related to the 1920 jazz song "Singin' the Blues" recorded by Frank Trumbauer and Bix Beiderbecke in 1927.)
The best-known recording was released in October 1956 by Guy Mitchell and spent ten weeks at number 1 on the U.S. Billboard chart from December 8, 1956, to February 2, 1957. An example of the U.S. recording is on Columbia #40769, dated 1956, with the Ray Conniff Orchestra. Mitchell's version was also number 1 in the UK Singles Chart for three (non-consecutive) weeks in early 1957, one of only four singles to return to number 1 on three separate occasions, with the other three being "I Believe" by Frankie Laine, "Happy" by Pharrell Williams and "What Do You Mean?" by Justin Bieber.
Two other charting versions of the song were released almost simultaneously with Mitchell's, one by the English singer Tommy Steele (with the Steelmen) and the other (recorded before Mitchell covered it) by US country singer Marty Robbins.
Singing the Blues (also Singin' the Blues) is a 1956 song written by Melvin Endsley and recorded by Marty Robbins.
Constance Foore "Connee" Boswell (December 3, 1907, Kansas City, Missouri – October 11, 1976, New York City, New York) was an American female vocalist born in Kansas City but raised in New Orleans, Louisiana. With her sisters, Martha and Helvetia "Vet" Boswell, she performed in the 1930s as The Boswell Sisters. They became a highly influential singing group during this period via recordings and radio.
Connee herself is widely considered one of the greatest jazz female vocalists and was a major influence on Ella Fitzgerald who said, "My mother brought home one of her records, and I fell in love with it....I tried so hard to sound just like her."
In 1936, Connee's sisters retired and Connee continued on as a solo artist (having also recorded solos during her years with the group).
She was born on December 3, 1907 in Kansas City, Missouri.
The Boswells came to be well known locally while still in their early teens, making appearances in New Orleans theaters and radio. They made their first recordings for Victor Records in 1925, which included "Cryin' Blues" where Connee is featured singing in the style of her early influence, the African American singer Mamie Smith. (She also credited opera singer Enrico Caruso as one of her influences.) The Boswell Sisters became stage professionals that year when they were tapped to fill in for an act at New Orleans' Orpheum Theatre. They received an invitation to come to Chicago and perform in 1928 and honed their act on the Western Vaudeville Circuit. When their tour ended they traveled to San Francisco. The hotel that had been recommended had a less than savory reputation, and the man at the desk suggested that these three young ladies might be better off in another hotel. That man, Harry Leedy, would later become their manager on a handshake and become a permanent part of Connee's life as her husband. Harry was also part owner of Decca Records.
I present, the death, of tha cool
Well I heard like group of cows
That all your enimies wanna shoot you down
They got ak 47's and a bunch of mac 11's
Semi automatic weapons that produce ka pows
Word on the street is, they all got heatas
They gon hit you up and you ain't even gon see it
You gotta lot of money, I ain't tryna be funny
But they say where you goin, you ain't even gon need it
They see you ridin round, shinin with your fine round diamonds
Pretty green eyed lady
Been on tha sideline poutin, while you primetime poppin
Hungry niggas want a peice of your pastry
I suggest you protect your bakery
Cause they comin for your head,
And its a bounty on that chain thats hangin from your neck
They said
I don't know
What you been told in your ear, but I hear its goin down
Sombody gotta
DIE!!!
Don't know what you been told in your ear, but business goin round
Sombody gotta
DIE!!!
Hitta nigga wit tha mini mac strap, clap
Any nigga think he gettin keys down here
Any meeta, any nigga gettin money, or my honey, man heard micheal young is the reclown? here
Run up on a nigga from tha back wit a mac
Or be strapped cause a nigga finna squeeze off 10
Run up on his nigga lac ratta tat tat,
Click clack where this nigga at
I need sin
Shit is goin down if i see him
Bump a nigga out like oxy ten
And keep a couple of dollas up in tha wallet
To pay they cops so they can never box me in
DIE!!!
Thats what im thinkin
While ridin around polishin this big pistol
Imma catch him in tha wind
Pray tha gun don't jam
So until we meet again
Nigga its cool!
I don't know
What you been told in your ear, but I hear its goin down
Sombody gotta
DIE!!!
Don't know what you been told in your ear, but business goin round
Sombody gotta
DIE!!!
Man, man you can't beleive none of that. Man you need just need to, you just need to relax
Man. Trust me
Don't pay them niggas no mind
They hatin on you ain't nobody witta shotty
Planin on doin a robbery
Itchin to catch a body
Creepin in a stolen jalopy
Out there waitin on you
sittin in a stolen car, finna rob this nigga
Should i let the mini mac or tha shotgun hit him?
I been waitin all day tryna spot this nigga
I can't let him get away, im gon pop this nigga! UHHHH
Plus they don't know about the choppa in tha trunk
Tha glocks in a box and tha nine on tuck
The bullet proof glass the 40's in tha stash
You pull tha steerin wheel and it pop on up
40 caliber stashed up in tha stash box
Bullet proof windows, you couldn't break em wit a padlock
Ak in tha trunk, where tha sounds bump
Two twin glock 40's and a nine and this damn clock?
Maaaaaaan
We tryna go up in this club
Show a little love
Get a few drinks
Holla at some girls
Snatch up a pair
Leave outta there
Put some dro in tha air
And then go and get some grub
We finna go up in tha club
Show a little love
Get a few drinks
Holla at some girls
Snatch up a pair
Leave outta there
Put some dro in tha air
And then catch a few slugs
ay pull over right here, i gotta take a pee
And don't go nowhere nigga wait for me
And if some niggas do kill you in the next few minutes
Just remember my nigga its a heaven for a G.
Ay ay hold this right there.
I'll be, i'll be right back i gotta take a piss man hold on.
Fa sho. Ay man, ay don't leave i'll be right back.
Ay don't leave i'll be back.
Hurry your ass up man. Damn.
Coolest nigga what, coolest nigga what, coolest nigga what.
Hustla for life!!!
Ay man, nigga hurry your ass up. Shit.
Imma cool ass nigga man.
Fuckin three in tha mornin.
I'm tha coolest muthafucka in tha world man.
Niggas ain't fuckin with me man.
Nigga i'm high, smokin. Fly ass car.
I run these muthafuckin streets, and these niggas out here lookin for me.
Man i wish a muthafucka would...
Ay nigga hurry your ass up, nigga. Damn
Whats up now nigga?