The Idiots (Danish: Idioterne) is a 1998 Danish comedy-drama film written and directed by Lars von Trier. It is his first film made in compliance with the Dogme 95 Manifesto, and is also known as Dogme #2. It is the second film in von Trier's Golden Heart Trilogy, preceded by Breaking the Waves (1996) and succeeded by Dancer in the Dark (2000). It is among the first films to be shot entirely with digital cameras.
A seemingly anti-bourgeois group of adults spend their time seeking their "inner idiot" to release their inhibitions. They do so by behaving in public as if they were developmentally disabled. The Idiots is not concerned with actual disability, or with distinguishing between mental retardation and physical impairment.
At a restaurant, patrons are disturbed by the group's mischief, but single diner Karen develops an appreciation of their antics. The members of the group refer to this behaviour as "spassing", a neologism derived from "spasser", the Danish equivalent of "spaz" and an offensive slur. Karen takes a ride in a taxi cab with the people from the restaurant, and she finds herself at a big house. The apparent leader of the group, Stoffer, is supposed to be selling the house (which belongs to his uncle), but instead it becomes the focal point for group activities.
"The Idiots" is a short story by Joseph Conrad, his first to be published. It first appeared in The Savoy in 1896. The story was included in the Conrad collection Tales of Unrest, published in 1898.
Set in Britanny, the story describes a couple whose children have intellectual disability; the strain on the family leads eventually to murder.
The story was written during Joseph Conrad's honeymoon; he rented a house on Île-Grande, on the north coast of Brittany, from April to August 1896. His wife Jessie later wrote that "much of our Île-Grande life is in that short story.... The stone-cutters are in it, our landlady is in it, and the feeling of our surroundings, perhaps a little more sombrely than the reality", and explained how the story originated: while being driven from Lannion to Île-Grande, the driver pointed out "the idiots", saying "Four - hein. And all in the same family. That's a little too much. And the priests say it's God's will!"
Conrad had a poor opinion of this story, writing that it was "an obviously derivative piece of work"; he did not name a model, but critics have supposed that it was influenced by Guy de Maupassant.
I've tried and tried to run and hide
To find a life that's new
But wherever I go I always know
I can't escape from you
A jug of wine to numb my mind
But what good does it do?
The jug runs dry and still I cry
I can't escape from you
These wasted years are souvenirs
Of love I thought was true
Your memory is chained to me
I can't escape from you
There is no end, I can't pretend
That dreams will soon come true
A slave too long to a heart of stone
I can't escape from you