By God was the third album released by Christian metal group Disciple in 2001. It was a dual-disc, the second disc being a bonus disc for the buyer to give "to someone who needs it...". The album has been remastered and re-released just like the last album (This Might Sting a Little). The cover was changed to a different style.

Track listing

All tracks by Disciple

Bonus disc track listing

In monotheism and henotheism, God is conceived of as the Supreme Being and principal object of faith. The concept of God as described by theologians commonly includes the attributes of omniscience (infinite knowledge), omnipotence (unlimited power), omnipresence (present everywhere), omnibenevolence (perfect goodness), divine simplicity, and eternal and necessary existence.

God is also usually defined as a non-corporeal being without any human biological gender, but his role as a creator has caused some religions to give him the metaphorical name of "Father". Because God is concieved as not being a corporeal being, he cannot (some say should not) be portrayed in a literal visual image; some religious groups use a man to symbolize God because of his role as the "father" of the universe and his deed of creating man's mind in the image of his own.

In theism, God is the creator and sustainer of the universe, while in deism, God is the creator, but not the sustainer, of the universe. Monotheism is the belief in the existence of one God or in the oneness of God. In pantheism, God is the universe itself. In atheism, God does not exist, while God is deemed unknown or unknowable within the context of agnosticism. God has also been conceived as being incorporeal (immaterial), a personal being, the source of all moral obligation, and the "greatest conceivable existent". Many notable philosophers have developed arguments for and against the existence of God.

"God" is a song by American singer-songwriter and musician Tori Amos. It was released as the second single from her second studio album Under the Pink. It was released on February 3, 1994 by Atlantic Records in North America and on October 3 by EastWest Records in the UK.

The song reached number 44 on the UK Singles Chart. as well as #1 on the US Modern Rock Chart.

Releases

The B-sides to the American release included Amos' reworking of "Home on the Range", with new lyrics, as well as a two-song instrumental piano suite. An American cassette single featured the b-side "Sister Janet".

A completely different single was released in Europe on CD, 12" and 7" vinyl single, and cassette. The 7" single was a glossy dual sided picture disc. The various formats featured ambient and jungle house remixes of the track by CJ Bolland, Carl Craig and The Joy.

Track listing

The traditional conception of God in Judaism is strictly monotheistic. God is generally understood by Jews to be the absolute one, indivisible and incomparable being who is the ultimate cause of all existence. Jewish tradition teaches that the true aspect of God is incomprehensible and unknowable, and that it is only God's revealed aspect that brought the universe into existence, and interacts with mankind and the world. The one God of Israel is the God of Abraham, Isaac, and Jacob, who is the guide of the world, delivered the Israelites from slavery in Egypt, and gave them the Law of Moses at biblical Mount Sinai as described in the Torah. Traditional interpretations of Judaism generally emphasize that God is personal, while some modern interpretations of Judaism emphasize that God is a force or ideal.

God has a proper name, written YHWH (Hebrew: יְהֹוָה, Modern Yehovah, Tiberian Yəhōwāh) in the Hebrew Bible. In Jewish tradition another name of God is Elohim.

Names

The name of God used most often in the Hebrew Bible is the Tetragrammaton (YHWH Hebrew: יהוה‎), frequently anglicized as Jehovah or Yahweh but written in most editions of the Bible as "the Lord". Jews traditionally do not pronounce it, and instead refer to God as HaShem, literally "the Name". In prayer this name is substituted with Adonai, meaning "Master" or "Lord".

Eucalyptus is free and open-source computer software for building Amazon Web Services (AWS)-compatible private and hybrid cloud computing environments marketed by the company Eucalyptus Systems. Eucalyptus is the acronym for Elastic Utility Computing Architecture for Linking Your Programs To Useful Systems. Eucalyptus enables pooling compute, storage, and network resources that can be dynamically scaled up or down as application workloads change. Eucalyptus Systems announced a formal agreement with AWS in March 2012 to maintain compatibility.Mårten Mickos is the CEO of Eucalyptus. In September 2014, Eucalyptus was acquired by Hewlett-Packard.

History

The software development had its roots in the Virtual Grid Application Development Software project, at Rice University and other institutions from 2003 to 2008. Rich Wolski led a group at the University of California, Santa Barbara, and became the chief technical officer at the company headquartered in Goleta, California before returning to teach at UCSB.

Eucalyptus is a station on the San Francisco Municipal Railway light rail network's M Ocean View line. It is located in the Merced Manor neighborhood. It is located in the Merced Manor neighborhood in a special rail-only right of way, as the M train cuts through a small designated path to avoid several crowded intersections where Sloat and Ocean Avenues meet California Route 1.

Eucalyptus is a 1998 novel by Australian novelist Murray Bail. The book won the 1999 Miles Franklin Award and the 1999 Commonwealth Writers' Prize.

Plot introduction

Eucalyptus tells the story of Ellen Holland, a young woman whose "speckled beauty" and unattainability become legend far beyond the rural western New South Wales town near the property where she grows up. Her protective father's obsession with collecting rare species of Eucalyptus trees leads him to propose a contest - the man who can correctly name all the species on his property shall win her hand in marriage.

Thematic concerns

The novel contrasts a detailed, scientific classifying of Eucalyptus trees, with the story of Ellen told from a parodied fairy tale perspective. This fits well with Bail’s status as a writer of fiction and non-fiction.

The novel begins with a discussion of Australian culture “the poetic virtues which have their origins in the bush of being belted about by droughts, bushfires, smelly sheep and so on; and lets not forget the isolation, the exhausted shapeless women, the crude language, the always wide horizon, and the flies.” But concludes that: “it really doesn’t matter.” This sets a major theme for the novel to explore. The novel could easily be interpreted as a renegotiation of Australian identity. Bail at once glorifies Australian tradition and attacks the notion of “a sun burnt country”.