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Nemesis often refers to:
Nemesis may also refer to:
"Nemesis" is the 72nd episode of Star Trek: Voyager, the fourth episode of the fourth season. In it, Chakotay helps a race of aliens wage a war.
Chakotay's shuttle has been shot down, leaving him stranded alone on a jungle planet. He is captured by troops of the humanoid Vori species, led by Brone (Michael Mahonen), but they appear to release him when they determine he is not of the "nemesis." Chakotay tries to find his shuttle the next day, and encounters one of these "nemesis" - known as the Kradin, who are fierce and non-human in appearance. Chakotay's shuttle is gone so he returns to the Vori. He bonds with them and immediately understands what they are up against. As he joins the Vori in the struggle against the Kradin, he sees evidence of the evil of the nemesis: they mock the Vori's religious rituals and send a peaceful Vori village to death camps.
Nemesis is a 1920 Italian silent film directed by Carmine Gallone and starring Ida De Bonis, Soava Gallone and Ciro Galvani.
Bewitched is the second album by American alternative rock band Luna.
All tracks are by Luna with lyrics by Dean Wareham
Bewitched is the debut EP by New Zealand band Look Blue Go Purple released in 1985.
Side A
Side B
The Bewitched (French: L'Ensorcelée) is an 1852 novel by the French writer Jules Barbey d'Aurevilly. The narrative is set in Normandy in the early 19th century. It tells the story of a young woman, married to a farmer ruined by the French Revolution, who falls in love with a priest and commits suicide when the infatuation comes to nothing. Her widowed husband then sets out to kill the priest out of jealousy.
The novel was the first in a suite of three novels which were set in Normandy and rooted in local folklore and legends. It was serialised in Journal l'Assemblée nationale in 1852 and published as a book in 1854. An English translation by Louise Collier Willcox was published in 1928.
Brian G. Rogers wrote in his 1967 book on Barbey d'Aurevilly: "L'Ensorcelée, with its real and symbolic landscapes, its well-organised plot and its regionalistic flavour, is one of Barbey d'Aurevilly's most successful novels. Largely free from the repetitions and stylistic errors of the earlier works, it inaugurates the Normandy cycle with a flourish, and, with its parallel themes of passionate and 'satanic' possession, provides a further commentary on its author's evolving attitude to his continuing preoccupations."