The self is the subject of one's own experience of phenomena: perception, emotions, thoughts. In phenomenology, it is conceived as what experiences, and there isn't any experiencing without an experiencer, the self. The self is therefore an "immediate given", an intrinsic dimension of the fact of experiencing phenomena. In some other trends of philosophy, the self is instead seen as requiring a reflexive perception of oneself, the individual person, meaning the self in such a view is an object of consciousness.
The self has been studied extensively by philosophers and psychologists and is central to many world religions. With the recent rise in technology, the self has been discussed under various new emerging fields, such as Technoself Studies.
Philosophy
The philosophy of self seeks to describe essential qualities that constitute a person's uniqueness or essential being. There have been various approaches to defining these qualities. The self can be considered that being which is the source of consciousness, the agent responsible for an individual's thoughts and actions, or the substantial nature of a person which endures and unifies consciousness over time.
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Stef Lang (born Stephanie Jane Lang, December 30, 1988) is a Canadian singer, songwriter, and producer who resides in New York City. Originally from the Vancouver Island town of Ladysmith, BC, Lang left home at 17 to move to Vancouver, BC and pursue her musical career. Lang, often booking her own shows, played every pub, bar, club and café she could, while honing her songwriting craft and interning at a recording studio where she learned how to produce. Known for engaging performances and edgy lyrics, Lang released her first full-length album, The Underdog, in May 2010, distributed by Hipjoint Music/Universal Music Canada. Her hit single, Mr. Immature achieved mainstream success when it peaked at #5 on The Billboard Chart for Canadian Emerging Artists. Lang is known for her vocal feature on Canadian radio hit "Rollin" by Toronto's rapper ISH, which was released via Warner Music Group in 2012. In 2013, her vocals were featured on "Last Chance" by EDM artist Kaskade from his Grammy nominated album Atmosphere. Lang also co-wrote and was featured on the song "All These Wounds" by EDM artist Ilan Bluestone and BT, which was released May 25, 2015 on the Anjunabeats Worldwide05 Compilation. Lang's third full-length album is set to release in 2015 as a two-part EP series.
The self is an individual person as the object of his or her own reflective consciousness.
Next can refer to:
Film, TV and stage
Publications
Science and technology
Next is the second album by The Sensational Alex Harvey Band. The album was released in 1973. It was released separately on CD, though it is widely available on a 2 in 1 album, the other album being their debut album Framed.
"Swampsnake" was covered by American rock band Zilch on their 1998 debut album 3.2.1..
"The Faith Healer" was covered by Australian psychedelic rock band The Church on their 1999 covers album A Box of Birds.
Track listing
All songs written and composed by Alex Harvey and Hugh McKenna, except where noted.
Personnel
Band
Technical
References
External links
Next Magazine is a weekly gay lifestyle magazine published in New York City by Multimedia Platforms, Inc. It addresses topics of fashion, life, entertainment, sex, and LGBT culture news, and is distributed freely in gay bars and other locations throughout Manhattan, Brooklyn, Queens, The Bronx, Long Island, and New Jersey.
On July 1, 2009, Next Magazine became the only free local glossy gay night life publication in New York City, following the closure of longtime rival The New York Blade.
History
The first issue of Next Magazine "hit the streets of New York" on July 23, 1993. It was founded by co-publishers David Moyal and nightlife promoter John Blair in response to the gay sexual revolution happening in and around the West Village and Chelsea neighborhoods of Manhattan. Their first offices were located at the corner of Fifth Avenue and 20th Street.
The need for an all-gay publication rose in the early 1990s when the LGBT community began having a political voice. Manhattan’s megaclubs were beginning to grow and gain notoriety, heavy drug use became commonplace in the gay community, and the AIDS epidemic was spreading rapidly. After the March on Washington and the election of Rudy Giuliani, the gay community (more specifically gay men) was in need of an open publication that catered to their needs.