The Đàn đáy is a Vietnamese plucked lute with three strings, a trapezoidal wooden body, and a very long wooden neck with ten raised frets. Players formerly used silk strings, but since the late 20th century have generally used nylon.

Usage

It is used primarily in Northern Vietnam, and is one of the accompanying instruments used in ca trù.

In the late 20th century, a modernized version of the electric bass guitar in the shape of the đàn đáy was developed for use in the neo-traditional music composed and performed at the Hanoi Conservatory. Unlike the đàn đáy, this instrument has a solid wooden body and metal strings, and without raised frets.

Etymology

In the Vietnamese language, đàn is a classifier used primarily to refer to string instruments, and đáy means "bottom." Thus, the instrument's name translates literally as "bottom string instrument." However, the instrument's body has no back. According to this website, the instrument was originally called vô để cầm, literally "bottomless stringed instrument."

NY stands for New York, an American state

NY, Ny or ny may also refer to:

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See also

The ney (Persian: نی / نای‎‎), is an end-blown flute that figures prominently in Middle Eastern music. In some of these musical traditions, it is the only wind instrument used. The ney has been played continuously for 4,500–5,000 years, making it one of the oldest musical instruments still in use.

"The Persian ney consists of a hollow cylinder with finger-holes. Sometimes a brass or plastic mouthpiece is placed at the top to protect the wood from damage, but this plays no role in the sound production." The ney consists of a piece of hollow cane or reed with five or six finger holes and one thumb hole. Modern neys may be made instead of metal or plastic tubing. The pitch of the ney varies depending on the region and the finger arrangement. A highly skilled ney player, called neyzen, can reach more than three octaves, though it is more common to have several "helper" neys to cover different pitch ranges or to facilitate playing technically difficult passages in other dastgahs or maqams.