"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.

"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.

Critical reception

PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.

The first Remix album released by Mushroomhead in 1997. All tracks are remixes except for "Everyone's Got One" (hence the subtitle "Only Mix"). The last portion of "Episode 29 (Hardcore Mix)" was used on the XX album as "Episode 29". The original release of the "Multimedia Remix" also included recordings of Mushroomhead performing "Born of Desire" and "Chancre Sore" at Nautica in Cleveland (now known as The Scene Pavilion) as well as a video for "Simpleton".

Track listing

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.

FEAT (pronounced "F-E-A-T") is the first studio album by Chicago-based record production duo The Hood Internet. It was released on Decon on October 2, 2012. The album features guest appearances from A.C. Newman, Cadence Weapon, and Class Actress, among others. Music videos were created for "Won't Fuck Us Over", "One for the Record Books", and "More Fun".

The remix album, FEAT Remixes, was released on December 18, 2012.

Reception

At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 54% based on 6 reviews, indicating "mixed or average reviews".

Track listing

References

External links

Sissi or Sisi may refer to:

People

Other notable people

LinkedIn Pulse was an app for Android,iOS and HTML5 browsers, originally released in 2010. The app, in its original incarnation, was deprecated in 2015 and integrated into LinkedIn.

History

Pulse was originally released in May 2010 for the Apple iPad. The app was created by Ankit Gupta and Akshay Kothari (two Stanford University graduate students) as part of a course at the Institute of Design. The company they formed, Alphonso Labs, was one of the first to use Stanford's business incubator SSE Labs. Pulse received positive reviews for its easy to use interface.

On 8 June 2010, the app was temporarily removed from the App Store hours after it was mentioned by Apple co-founder Steve Jobs at WWDC 2010, because The New York Times complained to Apple about the app pulling content from their feed, even though that feed was in use by other apps in the App Store. The app was approved once again and restored to the App Store later the same day after removing the The New York Times feed.

In physics, a pulse is a single disturbance that moves through a medium from one point to the next point.

Pulse Reflection

Consider a pulse moving through a medium - perhaps through a rope or a slinky. When the pulse reaches the end of that medium, what happens to it depends on whether the medium is fixed in space or free to move at its end. For example, if the pulse is moving through a rope and the end of the rope is held firmly by a person, then it is said that the pulse is approaching a fixed end. On the other hand, if the end of the rope is fixed to a stick such that it is free to move up or down along the stick when the pulse reaches its end, then it is said that the pulse is approaching a free end.

Free End

A pulse will reflect off a free end and return with the same direction of displacement that it had before reflection. That is, a pulse with an upward displacement will reflect off the end and return with an upward displacement.

This is illustrated by figures 1 and 2 that were obtained by the numerical integration of the wave equation.