Perfect Strangers may refer to:
Perfect Strangers is the eleventh studio album by Deep Purple, released in October 1984. It represents the first album recorded by the reformed (as well as the most successful and popular), 'Mark II' line-up.
It was the first Deep Purple studio album in nine years, and the first with the Mk II line-up for eleven years, the last being Who Do We Think We Are in 1973. Ritchie Blackmore and Roger Glover arrived from Rainbow, Ian Gillan from Black Sabbath, Jon Lord from Whitesnake, and Ian Paice from Gary Moore's backing band.
The CD and cassette versions of the album contained the extra track "Not Responsible" (one of few Deep Purple songs with profane lyrics, as the word "fucking" can be heard in the song). The album was remastered and reissued on 22 June 1999 with the bonus instrumental track "Son of Alerik". The latter had previously been available as a B-side on "Perfect Strangers" in 1984.
The tour was so successful that the band had to add many additional dates to the US arena tour, as tickets sold out very quickly. Their US tour in 1985 out-grossed every artist that year except Bruce Springsteen.
Perfect Strangers is a 2004 romantic comedy film starring Rob Lowe and Anna Friel.
Lloyd and Susie in London work for the same ad agency, but in different cities. An arrangement is made where they switch jobs and homes for a month. After settling into each other's place they consult each other by phone, it's not long before they fall in love.
"Fuckin' Perfect" (stylized "Perfect" on the clean version, and as "F**kin' Perfect" on the main cover) is a song by American recording artist Pink, taken from her first greatest hits album Greatest Hits... So Far!!! (2010). It was released on December 14, 2010 by LaFace Records, JIVE Records, and RCA Records as the album's second single. Written by Pink with Max Martin and Shellback, the track is a pop rock number which encourages people to accept each other for their true identities.
Pink has stated that the main inspiration behind the track is her husband, Carey Hart. Its music video, directed by longtime collaborator Dave Meyers, delivers a message against depression, self-harm and suicide. In November 2011, the song garnered a Grammy Award nomination for Best Pop Solo Performance. "Fuckin' Perfect" peaked at number two on the Billboard Hot 100, becoming Pink's eleventh top-ten hit single in the United States.
In 2011, "Fuckin' Perfect" was ranked at number-fourteen on the "Top 40 Year-End Chart", behind her previous single "Raise Your Glass", based on Mediabase.
"Perfect" is a single by Princess Superstar. It is the only single from her album My Machine with a music video.
The music video features Princess Superstar in a variety of locations, which includes what looks like a rollerdisco and a 1980s spoof.
The "Perfect (Exceeder)" remix music video features three scantily clad female gymnasts participating in a gymnastics competition. Other male gymnasts showing off complicated moves make brief appearances. Princess Superstar herself, however, is not seen. Despite the immense popularity of the song, the video received poor reviews - cited as being "unoriginal".
On 22 January 2007, a mashup made of "Perfect" and Mason's "Exceeder", called Perfect (Exceeder) was released. "Exceeder", an instrumental song, was mixed with the remixed vocals from "Perfect".
"Perfect" is the Platinum selling single from Vanessa Amorosi's album Somewhere in the Real World. The single was released digitally on 5 April 2008 and physically on 26 April 2008.
Amorosi co-wrote "Perfect" with Australian song writer David Franj and they each brought a different perspective to the theme of love, resulting in a powerful tune. "He was in love with his girlfriend, so his take on it was she's perfect, everything about her is so magnificent. And I'm the other side of love where I'm like that's obsessive and there's hard work in love and what you see as perfect is not necessarily going to be perfect in 20 years time."
Amorosi says "Perfect" is "really a love story by two totally different people. That's my interpretation of it. I mean, it's open to anyone's interpretation but for me love is ... I find it to be quite obsessive. I love the imperfections in a person more so than the perfect things about them. Love can come in different shapes and forms and that's what it's really going on about."
"Strangers" is a 1989 episode of the television series Thirtysomething. The episode contrasts two relationships, one between Melissa Steadman (Melanie Mayron) and Lee Owens (Corey Parker) and the other between Russell Weller (David Marshall Grant) and Peter Montefiore (Peter Frechette). Melissa worries about the age difference between herself and Lee as she is several years older. Russell and Peter are in the very early stages of their relationship and are unsure whether even to attempt to build it. "Strangers" was the sixth episode of season three and originally aired on ABC on November 7, 1989.
"Strangers" generated a great deal of controversy because it depicted two men, Russell and Peter, in bed together following their having sex. Even though the actors were forbidden to touch each other while in bed together, the controversy proved too much for a number of advertisers, who pulled their commercials from the episode. ABC withdrew the episode from rotation for rebroadcast.
Hey there red, it’s been several hours since we danced
Can I call you by your name
Ashley or beauty queen whatever you think will suit your sweet face
I just won’t call you late for a kiss, goodnight
Don’t take me so serious, we ain’t found love yet
There’s still some lines I haven’t crossed
Let’s stay mysterious, we ain’t found love yet
There still some time to work the room, oh the room
By the way, it’s been four days since we danced
How bout a drink alone with me
We’ll share things, and become friends one step closer to dancin again
Leave if you want but you can stay, tonight
But don’t take me so serious, we ain’t found love yet
There’s still some lines I haven’t crossed
Let’s stay mysterious, we ain’t found love yet
There still some time to work the room, oh the room
Oooo’s
Don’t take me so serious, not tonight
We ain’t found love yet, what’s the rush
There’s still some lines I haven’t crossed
Let’s stay mysterious, for the tonight
We ain’t found love yet , but there’s time
We’ll stay where we’re at and make are plans, for tomorrow
We’ll dance again
We’ll dance again, tomorrow x3
Tomorrow x4
Oh oh oh ohhh
We’ll dance again tomorrow