Popcorn was an Italian pop music show which ran 1980-1985 on Canale 5 produced by Berlusconi's Fininvest. Hosts included Sammy Barbot, Tiziana Fiorveluti, Claudio Cecchetto, Augusto Martelli, Italy-based US singer Ronnie Jones and English actress Karina Huff.

References

Popcorn is a 1998 play by English author Ben Elton adapted from his novel of the same title.

References

Further reading

"Popcorn" is an early synthpop instrumental, composed by Gershon Kingsley in 1969 and first appearing on his album Music to Moog By.

The same year it was released and recorded at Audio Fidelity Records label in New York City. The title may refer to the short staccato or sharp "popping" sound used, or to pop music and its being 'corny', i.e., kitschy. The title is generally written as one word, although some single sleeves (such as the one illustrated) present it as two words, "Pop Corn".

In 1972, Hot Butter's rerecording was a huge hit in many countries. "Popcorn" has since been covered by a great number of artists.

Original version

Background

Composer Gershon Kingsley (of Perrey and Kingsley) first recorded it for his 1969 album Music to Moog By. In 1971 the song was re-recorded by Kingsley's band First Moog Quartet. Stan Free, member of the First Moog Quartet, rerecorded the instrumental with his band Hot Butter in 1972. The record was one of a rash of Moog synthesizer-based releases that followed the 1968 Billboard pop Top 40 chart success Wendy Carlos had with Switched-On Bach and that characterized electronic music of the mid-1960s, 1970s and early 1980s.

Anan (Jewish Babylonian Aramaic: רב ענן) was a Babylonian amora of the third century, disciple of Mar Samuel (Yebamot 83b, Ḳiddushin 39a), and contemporary of Rav Huna and Mar 'Uḳba II. (Ketubot 69a). Anecdote and legend combine to illustrate Anan's renown for extreme conscientiousness in his capacity as judge in civil cases, as well as for his theosophic speculations. The book Tanna Devei Eliyahu ("Seder Eliyahu Rabbah" and "Seder Eliyahu Zuṭṭa") is said to have been composed during visitations Anan received from the prophet Elijah (Ketubot 106a). Anan was prominent as a teacher of civil law and of ritual; and though Rav Nachman once criticized one of his arguments — remarking, "While attending Mar Samuel, you must have spent your time in playing at checkers" (or "chess," Iskundré, Ḳiddushin 21b) — he highly respected him, and addressed him with the title of Mar ("Master," Ḥullin 56a). Rav Huna, on his part, did not consider Anan his equal; and when the latter once addressed to him a message, headed, "To Huna, our colleague, greetings," he felt himself depreciated and replied in a manner that embarrassed Anan (Ketubot 69a). In the field of the Aggadah, Anan rarely appears, and then only as the transmitter of observations of his predecessors. But many of his teachings were probably incorporated with those of the students of the school that bore his name, Debe Rab Anan (Sukkah 49b; 'Erubin 54b). In addition to the above, he is also mentioned in Berakhot 30b; Shabbat 119a; Jerusalem Talmud Shabbat iii. 5c (compare Babylonian Talmud Shabbat 37a); Erubin 74b; Yebamot 97a; Jerusalem Talmud Yebamot ix. 10b; Ketubot 79a; Giṭṭin 44b; Shevu'ot, 40b; Ḥullin 4b, 38a; among other places.

Anan Ben David (c. 715 - c. 795) (Hebrew: ענן בן דוד‎) is widely considered to be a major founder of the Karaite movement of Judaism. His followers were called Ananites and, like modern Karaites, do not believe the Rabbinic Jewish oral law (such as the Mishnah) to be authoritative. Later Karaite sages are highly critical of ben David, leading some modern scholars to believe that Ananism was separate from Karaism.

History

In the second half of the 7th century and in the whole of the 8th, as a result of the tremendous intellectual commotion produced throughout the southwestern Asia by the swift conquests of the Arabs and the collision of Islam with the older religions and cultures of the world, there arose a large number of religious sects, especially in Persia, Babylonia (Iraq), and Syria. Judaism did not escape this general fomentation; the remnants of Second Temple sects picked up new life and flickered once more before their final extinction, and new sects also arose, including the Isawites, the Yudganites, the Shadganites, the Malakites, the Mishawaites, and others. All these groups may have quickly disappeared, or been assimilated by rabbinical Judaism, if not for the actions of Anan Ben David.

The Association of National Accountants of Nigeria (ANAN) is one of the two professional accountancy associations with regulatory authority in Nigeria, the other being the Institute of Chartered Accountants of Nigeria (ICAN). A consultant offering financial services in Nigeria must be a member of either ANAN or ICAN.

Organization

ANAN was founded on 1 January 1979 and was incorporated on 28 September 1983. The Association was chartered on 25 August 1993 by Decree 76 of 1993. The governing council of ANAN is elected by its members. It includes representatives of the Auditors General of the Federation, State and Local Government, and representatives of universities and polytechnics.

Before being admitted to ANAN members must undertake academic studies, including one year at ANAN’s Nigerian College of Accountancy, followed by a two-year practical accountant-in-training program, leading to qualification as a Certified National Accountant. ANAN members must comply with its Professional Code of Conduct, which complies with International Federation of Accountants requirements. As of December 2007 ANAN had total membership of 10,260. By December 2010 membership had grown to 16,207.

Lavender is an album by Machiko Yamane and Paul Christopher Musgrave. It contains 12 original compositions for piano and string orchestra, and was recorded with members of the Vancouver Symphony Orchestra and the CBC Radio Orchestra.

Reviews

According to CD Review, Lavender is "poetically performed", and "eclectic, with a classical flavor". "The themes and arrangements are elegant, light, and lovely" according to the NAPRA Trade Journal, who also noted a "Satie" influence. Margaret McCoy of Virginia Pathways wrote that Lavender is "as fresh as the breeze on a hyacinth-covered open field, yet as elegant as a candlelight dinner for two high above Park Avenue." She praised its depth and sophistication.

According to Dan Gassoway, "Paul Christopher's original piano pieces stroll lazily along with a quiet and poignant charm that slowly seduces the listener". In the Lifedance Music Guide he wrote that Lavender's "deceptively simple melodies spin into delicately interwoven patterns that often touch the heart's subtle emotional chords."