DATA were an electronic music band created in the late 1970s by Georg Kajanus, creator of such bands as Eclection, Sailor and Noir (with Tim Dry of the robotic/music duo Tik and Tok). After the break-up of Sailor in the late 1970s, Kajanus decided to experiment with electronic music and formed DATA, together with vocalists Francesca ("Frankie") and Phillipa ("Phil") Boulter, daughters of British singer John Boulter.

The classically orientated title track of DATA’s first album, Opera Electronica, was used as the theme music to the short film, Towers of Babel (1981), which was directed by Jonathan Lewis and starred Anna Quayle and Ken Campbell. Towers of Babel was nominated for a BAFTA award in 1982 and won the Silver Hugo Award for Best Short Film at the Chicago International Film Festival of the same year.

DATA released two more albums, the experimental 2-Time (1983) and the Country & Western-inspired electronica album Elegant Machinery (1985). The title of the last album was the inspiration for the name of Swedish pop synth group, elegant MACHINERY, formerly known as Pole Position.

The word data has generated considerable controversy on if it is a singular, uncountable noun, or should be treated as the plural of the now-rarely-used datum.

Usage in English

In one sense, data is the plural form of datum. Datum actually can also be a count noun with the plural datums (see usage in datum article) that can be used with cardinal numbers (e.g. "80 datums"); data (originally a Latin plural) is not used like a normal count noun with cardinal numbers and can be plural with such plural determiners as these and many or as a singular abstract mass noun with a verb in the singular form. Even when a very small quantity of data is referenced (one number, for example) the phrase piece of data is often used, as opposed to datum. The debate over appropriate usage continues, but "data" as a singular form is far more common.

In English, the word datum is still used in the general sense of "an item given". In cartography, geography, nuclear magnetic resonance and technical drawing it is often used to refer to a single specific reference datum from which distances to all other data are measured. Any measurement or result is a datum, though data point is now far more common.

The data URI scheme is a uniform resource identifier (URI) scheme that provides a way to include data in-line in web pages as if they were external resources. It is a form of file literal or here document. This technique allows normally separate elements such as images and style sheets to be fetched in a single Hypertext Transfer Protocol (HTTP) request, which may be more efficient than multiple HTTP requests. Data URIs are sometimes referred to incorrectly as "data URLs". As of 2015, data URIs are fully supported by most major browsers, and partially supported in Internet Explorer and Microsoft Edge.

Syntax

The syntax of data URIs was defined in Request for Comments (RFC) 2397, published in August 1998, and follows the URI scheme syntax. A data URI consists of:

Lonely may refer to:

See also

"Lonely" is a song written by Robin Lee Bruce and Roxie Dean, and recorded by American country music artist Tracy Lawrence. It was released in May 2000 as the second single from the album Lessons Learned. The song reached #18 on the Billboard Hot Country Singles & Tracks chart.

Chart performance

Year-end charts

References

External links

"Lonely" is a pop song written by Merril Bainbridge and Owen Bolwell, produced by Siew for Bainbridge's second album Between the Days (1998). It was released as the album's first single in Australia in April 1998 and the United States and Japan in August 1998 (see 1998 in music) as a CD single. The bridge of the song samples the lyrics from the nursery rhyme "Georgie Porgie".

The song made its debut to the Australian ARIA Singles Chart at number seventy-four, making the song Bainbridge's fifth song to reach the top one hundred. On its second week it fell three places to seventy-seven but by the next week the song jumped nine places to sixty-eight and after six weeks of being in the chart it broke the top fifty at number forty-eight. After two weeks of being in the top fifty the song peaked at its peak position in Australia at number forty, then dropping out of the top fifty the next week. The song spent a total of three weeks in the top fifty and seventeen weeks in the top one hundred.