Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.
The Matrix Revolutions is a 2003 American–Australian science fiction action film and the third installment of the Matrix trilogy. The film was released six months following The Matrix Reloaded. The film was written and directed by The Wachowskis and released simultaneously in 60 countries on November 5, 2003. While it is the final film in the series, the Matrix storyline is continued in The Matrix Online. The film was the second live-action film to be released in both regular and IMAX theaters at the same time.
Neo and Bane lie unconscious in the medical bay of the ship Hammer. Meanwhile, Neo finds his digital self trapped in a virtual subway station—named, "Mobil Ave.", "mobil", being an anagram for "limbo"—a transition zone between the Matrix and the Machine City. In that subway station, he meets a "family" of programs, including a girl named Sati, whose father tells Neo the subway is controlled by the Trainman, an exiled program loyal to the Merovingian. When Neo tries to board a train with the family, the Trainman refuses and overpowers him.
Matrix was an Italian news program and talks show television, broadcast on Canale 5, from 2005 and 2012, and rerun on Mediaset Plus: it was a rival program of RAI flagship news program Porta a Porta.
"Alien" is a single released by the punk rock band Pennywise from their 1999 album Straight Ahead. The song reached number 36 on the Modern Rock Tracks in July 1999.
Alien is a 2012 sculpture by the British artist David Breuer-Weil. It depicts a giant humanoid figure five times as large as a person, embedded head-first in grass. The sculpture was first installed in Grosvenor Gardens in the City of Westminster in April 2013, as part of the City of Sculpture initiative. In September 2015 it was moved to the National Trust property of Mottisfont in Hampshire.
The work is executed in glass reinforced plastic with a bronze powder coat. It was scaled up from a much smaller maquette and incorporates hugely enlarged versions of the artist's fingerprints as well as his own graffiti. It was inspired in part by Breuer-Weil's grandfather Ernst, who fled to England after the Nazi takeover of Austria in 1938 but subsequently found himself labelled an "enemy alien". In acknowledgement of the link, the name "Ernst" is written in large letters on the surface of the sculpture. The sculpture also incorporates a portrait of the fictional Kaiser of Nerac, a character who rules an imaginary world conceived of by Breuer-Weil as a source of inspiration for his artworks.
Alien Nine (エイリアン9, Eirian Nain) is a manga series by Hitoshi Tomizawa, which was later adapted into an anime OVA series by J.C.Staff. The manga was serialized in Akita Shoten's Young Champion magazine, spanning 3 volumes. In 2003, Tomizawa released a 1-volume sequel to the series called Alien 9 Emulators. Both the manga and anime are noted for their moe art style contrasting the realistic art style seen in most seinen series at the time and heavy violence despite the young main characters, Pokémon-like monster designs, and initial appearances of a slice-of-life-esque series.
The English adaptation of the series was first licensed by Central Park Media, and has played on Comcast's Anime Selects. Central Park Media released the title under their "US Manga Corps" line, on a single DVD, and later re-released the DVD in a box set with all three manga volumes, which was also licensed by Central Park Media under their "CPM Manga" line. Central Park Media filed for bankruptcy in 2009, and the DVDs and manga volumes have since been out of print, but still in-stock at most online retailers.
Intro: Prez]
P-R-E-Z
[Verse 1: Prez]
I am hip-hop's worst nightmare, eighteen years wit white hair
Matches my white skin, complexion more than fair
FUck it if you don't like it, my flow explodes like dynamite
And my hand is on fire, and spreadin' to every mic
I'm more like a magician, rappin' is my practician
So I'm givin' prescriptions, then mine is to take a listen
To DPalm, he comin' up, me and him, is runner-ups
Purple liquid in my cup, my dick in your girl's guts
I only fucks wit sluts, rubbers are a must
So shake off that fuckin' rust and gimme, gimme a nut (Ha)
I knew from over there your girl was hot
So I quickly approached her, and stole her, like it or not
I'm fresh out the fryin' pot, and may be higher than most
But I got money to the ceiling, and I'm tryna boast
Watch cost a buck fifty, fuck bein' thrifty
My new career choice is that I wanna work for Diddy
[Bridge: Diddy]
And love was nothin' but another gun for you ('nother gun for you)
And I would hide it in my helpless soul
I'm not afraid to go down the road, where we go
I don't know, you can hear 'em callin', don't you?
When the angels call like
[Hook: Diddy] & (Dawn)
If you don't wanna stay you can go
It seems love don't live here no more
The angels are flyin' so low, singin' to you
(Don't you hear me callin' you?)
He's the one you love ('Cuz I hear 'em callin' me)
And he's the one you trust (Like our time is almost through)
Time is runnin' out (There's nothin' left to do)
When they're callin you
When the angels call like (I answer)
[Diddy]
Falling, for you
I will tell the angels, "no"
Let 'em turn back into stone
I do (I do), love you (love you)
It's true (It's true)
Fire, climbing
We ignore the angels' call
They were warnings after all
It's cool, if I'm
With you
When the angels call like
[Hook]
[Outro: Diddy]