Inside is the second album by German progressive rock band Eloy. It was released in 1973.
All songs written by Eloy
In jazz improvisation, outside playing, describes an approach where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, and polytonality.
The term side-slipping or side-stepping has been used to describe several similar yet distinct methods of playing outside. In one version, one plays only the five "'wrong'" non-scale notes for the given chord and none of the seven scale or three to four chord tones, given that there are twelve notes in the equal tempered scale and heptatonic scales are generally used. Another technique described as sideslipping is the addition of distant ii-V relationships, such as a half-step above the original ii-V. This increases chromatic tension as it first moves away and then towards the tonic. Lastly, side-slipping can be described as playing in a scale a half-step above or below a given chord, before resolving, creating tension and release.
Inside is a studio album by David Sanborn, released through Elektra Records in 1999. In 2000, the album won Sanborn the Grammy Award for Best Contemporary Jazz Performance.
The head (or heads) is a ship's toilet. The name derives from sailing ships in which the toilet area for the regular sailors was placed at the head or bow of the ship.
In sailing ships, the toilet was placed in the bow for two reasons. Firstly, since most vessels of the era could not sail directly into the wind, the winds came mostly across the rear of the ship, placing the head essentially downwind. Secondly, if placed somewhat above the water line, vents or slots cut near the floor level would allow normal wave action to wash out the facility. Only the captain had a private toilet near his quarters, at the stern of the ship in the quarter gallery.
In many modern boats, the heads look similar to seated flush toilets but use a system of valves and pumps that brings sea water into the toilet and pumps the waste out through the hull in place of the more normal cistern and plumbing trap to a drain. In small boats the pump is often hand operated. The cleaning mechanism is easily blocked if too much toilet paper or other fibrous material is put down the pan.
"Head" is a song by the English singer-songwriter Julian Cope. It is the third and final single released in support of his album Peggy Suicide.
In linguistics, the head of a phrase is the word that determines the syntactic type of that phrase. For example, the head of the noun phrase boiling hot water is the noun water. Analogously, the head of a compound is the stem that determines the semantic category of that compound. For example, the head of the compound noun handbag is bag, since a handbag is a bag, not a hand. The other elements of the phrase or compound modify the head, and are therefore the head's dependents. Headed phrases and compounds are called endocentric, whereas exocentric ("headless") phrases and compounds (if they exist) lack a clear head. Heads are crucial to establishing the direction of branching. Head-initial phrases are right-branching, head-final phrases are left-branching, and head-medial phrases combine left- and right-branching.
Examine the following expressions:
The word dog is the head of big red dog, since it determines that the phrase is a noun phrase, not an adjective phrase. Because the adjectives big and red modify this head noun, they are its dependents. Similarly, in the compound noun birdsong, the stem song is the head, since it determines the basic meaning of the compound. The stem bird modifies this meaning and is therefore dependent on song. The birdsong is a kind of song, not a kind of bird. Conversely, a songbird is a type of bird, since the stem bird is the head in this compound. The heads of phrases like the ones here can often be identified by way of constituency tests. For instance, substituting a single word in place of the phrase big red dog requires the substitute to be a noun (or pronoun), not an adjective.
Every time you think of me like your g*****n trophy
It just pushes me away
Pushes me
I never said I'd make you mine
Why do you insist on pushing all the time
I know it's not my vivid imagination
Telling you lies
Telling you lies
It's funny how you found the time
To expose yourself and be another one of these
Psychos all around me
Psychos all around me
Like to say my head's not right
My head's not right
Medicated aren't we all
Turning into you
Got me crazed with what you do
Inside my head there's a vision of you
And nothing's changing
Nothing's changing
I want to run away
And you say it's alright
I want to run away
Walk away
Just go
I think you're pushing, pushing me
To seek and discover to notice you're different than all the rest
Keeps telling me to ask why
Would it really hurt you to leave me alone sometimes
To seek and discover your genius uncovered
Your pain
Nothing's changing
Nothing's changing
Medicated aren't we all
Turn me into you
Got me crazed with what you do
Inside my head there's a vision of you
And nothing's changing
Nothing's changing
I want to run away
And you say it's alright
I want to run away
Pushing me away
Pushing me away
Pushing me away
Pushing me, pushing me
Pushing me
Medicated aren't we all
Turning into you
Got me crazed with what you do
Inside my head there's a vision of you
And nothing's changing
Medicate it are we're all
Turn me into you
Got me crazed with what you do
You do
Inside my head there's a vision of you
And nothing's changing
Nothing's changing
Nothing's changing
Maybe it's not me
It's all inside my head
Maybe it's not me
It's all inside my head
And nothing's changing
It's all inside my head
And nothing's changing