Robert Francis "Bobby" Kennedy (November 20, 1925 – June 6, 1968), commonly known by his initials RFK, was an American politician from Massachusetts. He served as a Senator for New York from 1965 until his assassination in 1968. He was previously the 64th U.S. Attorney General from 1961 to 1964, serving under his older brother, President John F. Kennedy and his successor, President Lyndon B. Johnson. An icon of modern American liberalism and member of the Democratic Party, Kennedy ran for the Democratic presidential nomination in the 1968 election.
After serving in the U.S. Naval Reserve as a Seaman Apprentice from 1944 to 1946, at Harvard College and Bates College, Robert Kennedy graduated from Harvard and the University of Virginia School of Law. Prior to entering public office, he worked as a correspondent to the Boston Post and as an attorney in Washington D.C. He gained national attention as the chief counsel of the Senate Labor Rackets Committee from 1957 to 1959, where he publicly challenged Teamsters President Jimmy Hoffa over the corrupt practices of the union, and published The Enemy Within, a book about corruption in organized labor.
Robert F. Kennedy (1925–1968) was Attorney General of the United States, Senator from New York, and the assassinated Democratic candidate for the 1968 Presidential election.
Robert Kennedy may also refer to:
Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from whom, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence ("I wouldn't be me without Clare Fischer"), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, Clare Fischer & Salsa Picante Present "2 + 2" (1981), the first of Fischer's records to incorporate the vocal ensemble writing developed during his Hi-Lo's days into his already sizable Latin jazz discography; it was also the first recorded installment in Fischer's three-decade-long collaboration with his son Brent. Fischer was also a posthumous Grammy winner for ¡Ritmo! (2012) and for Music for Strings, Percussion and the Rest (2013).
In Memoriam may refer to:
In Memoriam (In memory), Op. 59, is a funeral march for orchestra by Jean Sibelius. It was written in memory of Eugen Schauman. Sibelius composed a first version in 1909 and completed a final version in 1910. He conducted the first performance in Oslo on 8 October 1910. The piece was performed at his own funeral.
The work was written to commemorate Eugen Schauman who had in 1904 shot Governor-General Nikolay Bobrikov and then killed himself. Sibelius mentioned on New Year's Day of 1905 "that he intended to write a requiem in memory of Eugen Schauman and that he had already started to work on it. – I just hope it will be worthy of its subject matter! After all, it will be the only monument that we can raise for him!"
Only in 1909, after his throat surgery which made him think of death, he returned to the idea. Erik Tawaststjerna assumes that he wrote it also for himself. He composed a first version in 1909, completed on 14 December 1909. His models were the funeral marches of Beethoven's Symphony No. 3 "Eroica" and Wagner's Götterdämmerung. The work in sonata form is introduced by the violins and violas, with a main theme developing "like the approach of a distant cortege". He sent the work to the publisher Breitkopf.
In memoriam is a symphonic poem by the American composer Douglas Moore.
Moore wrote In memoriam in 1943 in memory of the young soldiers who died in World War II. It is Moore's darkest work and contrasts strongly with the ebullient Symphony in A major, which was written two years later. Most of the music is very elegiac as befits the piece. The premiere was given by Howard Hanson in early 1944.