"Honey Hush", written by Big Joe Turner (although he assigned the rights to his wife, Lou Willie Turner), was recorded in May 1953 in New Orleans, Louisiana and released that August by Atlantic Records. It was a number-one song on the U.S. Rhythm and Blues chart for eight weeks, and number 23 on the pop chart.
Turner, a big Kansas City blues shouter, had been spending all his time out on the road, while Atlantic's Ahmet Ertegün was getting nervous that his backlog of Turner recordings was running low. When Turner was near New Orleans, Ertegün insisted he record. Atlantic's New Orleans recording studio was booked up, so Turner recorded some sides in the studio of a radio station, WSDU. He did not have his own band but was able to round up the raucous trombonist Pluma Davis and his band, The Rockers, as well as the wild boogie rhythm pianist, James Tolliver. Other musicians on the recording were Lee Allen on tenor saxophone and Alvin "Red" Tyler on baritone saxophone.
An ace is a playing card.
Ace, Aces, ACE or ACES may also refer to:
The Aces, originally known as The Four Aces, were a Jamaican vocal group who are best known for their work with Desmond Dekker.
The initial line-up of The Aces consisted of Clive Campbell, Barry Howard, Carl Howard, and Patrick Howard. The group came to the attention of Dekker, who supported them when they auditioned for Leslie Kong at Beverley's studio in 1965. Kong employed the group as backing singers for Dekker and they can be heard on the song "Get Up Adinah" (credited as The Four Aces). They provided the backing vocals on Dekker's major hit "007 (Shanty Town)" as well as the track "Music Like Dirt (Intensified '68)" (the winning song of the 1968 Jamaica Independence Festival Song Contest). By 1967 the only remaining original members were Barry Howard and Winston Samuels and it is their backing vocals featured on "Israelites". Dekker's international success led to him touring overseas though The Aces did not accompany him due to Samuels refusal to fly (Samuels stating that "Rastas did not fly on iron birds") and Barry Howard's decision to emigrate to the United States. The Aces continued to record under their own name (without Dekker) and had a Jamaican hit in 1970 with "Mademoiselle Ninette". By 1971 the line-up had changed again, with Barry Howard now rejoined by Carl Hall. A string of hits followed with "Reggae Motion", "Take a Look", "Oh I Miss You", "Call Me Number One", "Be My Baby", and "Sad Sad Song". The song "Working on it Night and Day", though not a hit, did enter the pop charts in 1973. Little more was heard from the group until 1982 when they released "One Way Street".
The Aces was one of the earliest and most influential of the electric Chicago blues bands in the 1950s. Led by the guitarist brothers Louis and Dave Myers, natives of Byhalia, Mississippi, the brothers originally performed under the name The Little Boys; with the subsequent addition of harmonica player Junior Wells, they rechristened themselves the Three Deuces, followed by the Three Aces. The 1950 enlistment of drummer Fred Below prompted another name change, this time to the Four Aces; finally, to simplify matters once and for all, the group performed as just The Aces. Influenced in large part by jazz, they developed an urbane, sophisticated style well ahead of its time; in particular, Below's refined rhythms led to the rise of the blues shuffle beat, and helped launch the drums to a new prominence within the blues band hierarchy.
In 1952, Wells quit to join the Muddy Waters band, filling the vacancy created by the recent departure of Little Walter from Muddy's band; Walter himself quickly signed the remaining Aces as his new backing unit, renaming the trio The Jukes to capitalize on his current hit single, "Juke". A series of seminal recordings followed - "Mean Old World," "Sad Hours," "Off the Wall," and "Tell Me Mama" among them - before Louis' 1954 exit resulted in the Jukes' gradual dissolution as Little Walter's band, but freeing up the members to reform as a backing band for other Chicago blues musicians such as Otis Rush, Eddie Boyd, and others.
So many things are on your mind
You look troubled and scared to death
And the chores you missed on your very long list
That won't let you catch your breath.
I know we've had some hard times
But I won't let that get in your way
Before you cry tonight and get up tight
There's one thing that I'd like to say.
Honey hush, turn the lights down low
Don't push so hard
Leave our cares and woes
And won't you please
Let me lead you across the floor.
Honey hush, it'll be alright
Don't you think we should discuss
Oh, but not tonight
We can worry in the mornin'
But right now, Honey hush.
--- Instrumental ---
Things don't change very easy
It's like our whole world is falling apart
But this love we share shows how much we care
We're forever joined at the heart.
I believe that we will get through this
Though we don't rightly know what to do
If there's a will there's a way with these bills to pay
As long as I know I've got you.
Honey hush, turn the lights down low
Don't push to hard
Leave your cares and woe
And dance with me
Let me lead you across the floor.
Honey hush, It'll be alright
Don't you think we
Oh, but not tonight
We can worry in the mornin'
But right now, Honey hush.
We can worry in the mornin'
But right now, Honey hush.