Libra may refer to:
Libra is the debut album by saxophonist Gary Bartz' Quintet recorded in 1967 and released on the Milestone label.
Michael G. Nastos of Allmusic said "Featured are excellent compositions and playing in mainstream mode... This is the more lyrical side of Bartz".
All compositions by Gary Bartz except as indicated
Libra is a fictional character, a supervillain appearing in comic books published by DC Comics. He first appeared in Justice League of America #111 (May-June 1974), where he formed the first incarnation of the Injustice Gang (though there had been other villain groups with similar names, like the Injustice Society and the Injustice League). Libra made his return with a leading role in Final Crisis in 2008.
Libra's only major appearance, prior to his appearance in Final Crisis, was in Justice League of America #111–112, in 1974. In 2004, he made a brief cameo in the JLA/Avengers crossover (#4) by Kurt Busiek and George Pérez.
Grant Morrison, the writer of Final Crisis, explained the reason for picking an obscure villain:
In May 2008, his appearances were reprinted in DC Universe Special: Justice League of America at the same time as he was reintroduced, along with the Human Flame (a Martian Manhunter foe who appeared in Detective Comics #274), in Justice League of America #21. He returns, apparently retaining the full might of his godlike status, to lead a new and final incarnation of the Secret Society of Super-Villains, this time offering to every villain, from simple costumed crooks to major ones, the realization of his/her fondest wish.
Park West (Irish: Páirc an Iarthair) is a large business campus within greater Ballyfermot, notably Cherry Orchard, Dublin, Ireland, with some residential development.
There are over 300 companies with 10,000 employees.
Located just inside the M50 orbital motorway in west Dublin, the development comprises several million square metres of office and retail space, along with an Aspect hotel, a private hospital, and three apartment complexes.
Park West is in the administration of Dublin City Council, and Dublin postal districts Dublin 10 and Dublin 12, chiefly the latter.
Park West is home to Europe's tallest wind and water mobile sculpture, Wave by Angela Conner. It is a 39.3 metre (129 feet) tall sculpture made of polystyrene covered with layers of carbon resin. It is fixed into a 7.6 metre (25 foot) pit filed with 9.5 tonnes of lead.
The campus is accessible by road (primarily the (New) Nangor Road, as well as Killeen Road and Cloverhill), bus (routes 79A and 151) and rail at the Park West and Cherry Orchard railway station. At a moderate distance to the south is the Kylemore stop on the Luas red line.
Wave is the third album by Antônio Carlos Jobim, released in 1967 on A&M Records. It is known as Jobim's most successful album to date (# 5 US JAZZ ALBUMS 1967,# 114 US ALBUMS 1968), and it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history.
Strings
The wave (known as the Mexican wave in the anglosphere outside North America) is an example of metachronal rhythm achieved in a packed stadium when successive groups of spectators briefly stand, yell, and raise their arms. Immediately upon stretching to full height, the spectator returns to the usual seated position.
The result is a wave of standing spectators that travels through the crowd, even though individual spectators never move away from their seats. In many large arenas the crowd is seated in a contiguous circuit all the way around the sport field, and so the wave is able to travel continuously around the arena; in discontiguous seating arrangements, the wave can instead reflect back and forth through the crowd. When the gap in seating is narrow, the wave can sometimes pass through it. Usually only one wave crest will be present at any given time in an arena, although simultaneous, counter-rotating waves have been produced.
While there is general disagreement about the precise origin of the wave, most stories of the phenomenon's origin suggest that the wave first started appearing at North American sporting events during the late 1970s and early 1980s. Krazy George Henderson led a wave in October 15, 1981 at a Major League Baseball game in Oakland, California. This wave was broadcast on TV, and George has used a videotape of the event to bolster his claim as the inventor of the wave. On October 31, 1981, a wave was created at a UW football game in Seattle, and the cheer continued to appear during the rest of that year's football season. Although the people who created the first wave in Seattle have acknowledged Krazy George's wave at a baseball stadium, they claimed to have popularized the phenomenon, since Krazy George's wave was a one-time event.
Endless is the second EP by American metalcore band Unearth. Released in September 2002.
Endless is also their last original release under Eulogy Recordings after moving to Metal Blade Records for their new releases, and is the last record with drummer Mike Rudberg and bassist Chris Rybicki. Buz McGrath and John Maggard played bass on 3 of the EP's tracks, as Chris Rybicki left the band before its completion.
The first 3 songs on this EP were recorded by Killswitch Engage guitarist Adam Dutkiewicz. The EP was re-released as a vinyl (7") by Confined Records and only contains the tracks "Endless" and "My Desire". The entire EP also appears on their 2005 compilation album Our Days of Eulogy.
The song "Endless" features a tribute the band's first record label, Endless Fight Records, during a breakdown when the phrase "endless fight" is repeatedly screamed by vocalist Trevor Phipps. The song's lyrics also contain the phrase "winds of plague," which inspired the name of a subsequent band called Winds of Plague.
I have always been a monster
And though it seems a game of fools
And I have always come out losing
When it's someone else's rules
The song across the endless sea
Sends a wave that crashes over me, over me
The song above the giant roar
The endless wave that crashes over me, over me
I could never make the journey
And I can hardly even swim
That's why I'm so fascinated
Just how deep I've been pulled in
The song across the endless sea
Sends a wave that crashes over me, over me
The song above the giant roar
The endless wave that crashes over me, over me
Here's the horns of my dilemma
What's behind the siren's song
Do I crawl to my own drummer
Or am I being dragged along
The song across the endless sea
Sends a wave that crashes over me, over me
The song above the giant roar
The endless wave that crashes over me, over me
The song across the endless sea
Sends a wave that crashes over me, over me
The song above the giant roar
The endless wave that crashes over me, over me
The song above the giant roar
The endless wave that crashes over me, over me
The song across the endless sea