In philosophy, desire has been identified as a philosophical problem since Antiquity. In Plato's The Republic, Socrates argues that individual desires must be postponed in the name of the higher ideal.

Within the teachings of Buddhism, craving is thought to be the cause of all suffering. By eliminating craving, a person can attain ultimate happiness, or Nirvana. While on the path to liberation, a practitioner is advised to "generate desire" for skillful ends.

History

Ancient Greece

In Aristotle's De Anima the soul is seen to be involved in motion, because animals desire things and in their desire, they acquire locomotion. Aristotle argued that desire is implicated in animal interactions and the propensity of animals to motion. But Aristotle acknowledges that desire cannot account for all purposive movement towards a goal. He brackets the problem by positing that perhaps reason, in conjunction with desire and by way of the imagination, makes it possible for one to apprehend an object of desire, to see it as desirable. In this way reason and desire work together to determine what is a good object of desire. This resonates with desire in the chariots of Plato's Phaedrus, for in the Phaedrus the soul is guided by two horses, a dark horse of passion and a white horse of reason. Here passion and reason, as in Aristotle, are also together. Socrates does not suggest the dark horse be done away with, since its passions make possible a movement towards the objects of desire, but he qualifies desire and places it in a relation to reason so that the object of desire can be discerned correctly, so that we may have the right desire. Aristotle distinguishes desire into appetition and volition.

Désiré (29 December 1823 – September 1873) was a French baritone, who is particularly remembered for creating many comic roles in the works of the French operetta composer Jacques Offenbach. Désiré was a stage name; the artist's real name was Amable Courtecuisse, but for most of his life he was generally known as Désiré.

Life and career

He was born in Lille, or a nearby village, and studied bassoon, singing, and declamation at the Lille Conservatory. His first appearances were at small theatres in Belgium and northern France beginning in 1845.

In 1847, he arrived at the Théâtre Montmartre in Paris where he met Hervé. He asked Hervé to provide him with a musical sketch (drawn from Cervantes' novel Don Quixote), in which the tall and thin Hervé as the Don was pitted against the short and plump Désiré as Sancho Pança. The sketch inspired what was later dubbed the first French operetta, Hervé's Don Quichotte et Sancho Pança, which premiered in 1848 at Adolphe Adam's Théâtre National at the Cirque Olympique, but with Joseph Kelm, instead of Désiré, as Sancho Pança.

Desire is an album by jazz musician Tom Scott.

Track listing

All tracks composed by Tom Scott; except where indicated

Personnel

Software is a 1982 cyberpunk science fiction novel written by Rudy Rucker. It won the first Philip K. Dick Award in 1983. The novel is the first book in Rucker's Ware Tetralogy, and was followed by a sequel, Wetware, in 1988.

Plot summary

Software introduces Cobb Anderson as a retired computer scientist who was once tried for treason for figuring out how to give robots artificial intelligence and free will, creating the race of boppers. By 2020, they have created a complex society on the Moon, where the boppers developed because they depend on super-cooled superconducting circuits. In that year, Anderson is a pheezer — a freaky geezer, Rucker's depiction of elderly Baby Boomers — living in poverty in Florida and terrified because he lacks the money to buy a new artificial heart to replace his failing, secondhand one.

As the story begins, Anderson is approached by a robot duplicate of himself who invites him to the Moon to be given immortality. Meanwhile, the series' other main character, Sta-Hi Mooney the 1st — born Stanley Hilary Mooney Jr. — a 25-year-old cab driver and "brainsurfer", is kidnapped by a gang of serial killers known as the Little Kidders who almost eat his brain. When Anderson and Mooney travel to the Moon together at the boppers' expense, they find that these events are closely related: the "immortality" given to Anderson turns out to be having his mind transferred into software via the same brain-destroying technique used by the Little Kidders.

Software was a German electronic duo active between 1984 and 2000, comprising Peter Mergener (born 1951) and Michael Weisser (born 1948). Formerly the duo used the name Mergener&Weisser.

History

The group released their records under the IC (Innovative Communication) label, which also released a number of other electronic musicians, including Klaus Schulze and the Neue Deutsche Welle group Ideal.

From 1990 to 1992 Weisser produced, during a temporary break with Mergener, four albums under the Software name with a different group composition: Fragrance with Klaus Schulze and Georg Stettner (born 1970), and Modesty-Blaze I / II and Cave with Billy Byte (Stephan Töteberg).

After the dissolution of Software in 1999, the two musicians went their separate ways: Peter Mergener continues to compose and play electronic music, while Michael Weisser first founded the group G.E.N.E. (Grooving Electronic Natural Environments), and is currently, among other things, active as a media artist.

Software 2.0 is a term derived from Web 2.0 used to describe a second generation of software development methodologies. Analogous to the term Web 2.0, Software 2.0 refer to hosted services which aim to facilitate users creativity to develop and share their own software applications online.

The term includes open source projects -where many developers collaborate in a software project and make the source code available to the end user- and generative programming and automatic programming - where software tools assist users to build customized software applications.

Following Web 2.0 design patterns, Software 2.0 services allow users to share their software applications on web-based communities such as GitHub.

Related concepts

See also

References