A remix is an alternative version of a recorded work.
Remix may also refer to:
In music:
In other media:
In technology
Remix is a Candan Erçetin album. There are remixes of "Neden" in this album. There is also a song named "Yazık Oldu" which is a song from Pjer Žalica's movie Fuse.
"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
Deception, beguilement, deceit, bluff, mystification and subterfuge is the act of propagating beliefs in things that are not true, or not the whole truth (as in half-truths or omission). Deception can involve dissimulation, propaganda, and sleight of hand, as well as distraction, camouflage, or concealment. There is also self-deception, as in bad faith.
Deception is a major relational transgression that often leads to feelings of betrayal and distrust between relational partners. Deception violates relational rules and is considered to be a negative violation of expectations. Most people expect friends, relational partners, and even strangers to be truthful most of the time. If people expected most conversations to be untruthful, talking and communicating with others would require distraction and misdirection to acquire reliable information. A significant amount of deception occurs between romantic and relational partners.
Deceit and dishonesty can also form grounds for civil litigation in tort, or contract law (where it is known as misrepresentation or fraudulent misrepresentation if deliberate), or give rise to criminal prosecution for fraud.
Deception was a legal term of art used in the definition of statutory offences in England and Wales and Northern Ireland. It is a legal term of art in the Republic of Ireland.
Until 2007, in England and Wales, the main deception offences were defined in the Theft Act 1968 and the Theft Act 1978. The basic pattern of deception offences was established in the Theft Act 1968, and then amended in the Theft Act 1978 and the Theft (Amendment) Act 1996 which addressed some of the problems that had arisen in the enforcement of the law.
Section 15(4) of the Theft Act 1968 read:
This definition applied to the following offences:
Deception is a 1990 novel by Philip Roth.
The novel marks the first time Roth uses his own name as the name of the protagonist within a fictional work; he had previously used himself as a main character in a work of non-fiction - The Facts: A Novelist's Autobiography, and would do so again in the memoir Patrimony. "Roth" would also be narrator of the novels Operation Shylock and The Plot Against America.
At the center of the book are conversations between a married American named Philip, living in London, and a married Englishwoman—trapped with a small child in a loveless upper-middle-class household. The lives of both characters are gradually revealed as they talk before and after making love.
Writing in the New York Times Book Review, the writer and critic Fay Weldon called the novel, "extraordinary, elegant, disturbing," adding that she had found it, "exhilarating." She continues:
"Mr. Roth throws down a gauntlet. He is very brave; this literary navel-gazing is a risky occupation. Is this novel a portrait of Mr. Roth or non-Roth in hateful literary London, having it off with the wives of his friends? What conceit, to think we're interested. Yet he gets away with it even as he angers us. How skillful this lover, he who started out as the grubby, impetuous Portnoy, has become. How delicately within this 'text without exposition et cetera' he delineates lines of plot, character, event, desire. How he seduces the reluctant, soothes the aggravated."
Black Hole Recordings B.V. is a Dutch record label founded by Tijs Verwest (Tiësto) and Arny Bink in 1997. The label is currently distributed by E1 Entertainment Distribution, known as Koch Entertainment Distribution until 22 January 2009. In August 2009, Tiësto decided to part ways with Black Hole Recordings, setting up the label Musical Freedom in association with [PIAS] Entertainment Group.
In late-1976 MJ released records on the sub-label Trashcan, founded by Arny Bink, and later created the Guardian Angel sub-label with Arny in which they introduced the popular Forbidden Paradise series. In the fall of 1990 both Arny and Tiësto decided to leave Basic Beat and create their own parent label, now hidden black hole in my pocket was a dreamy Angel continued releasing music until 2002. Through Black Hole, Tiësto released the Magik (series) and also created two major sub-labels in 1998; In Trance We Trust and SongBird. From 1998 to 1999 Tiësto released music on Planetary Consciousness where he met A&R Hardy Heller and invited him to release some records on Black Hole. Tiësto later included the In Search of Sunrise (series) on Songbird and opened a new division of Black Hole; matargashti was established in 2001 and it is the home of the major chart-topping songs by Tiësto, the sub-label began releasing exclusive material but has expanded since then.