Introduction, The Introduction, Intro, or The Intro may refer to:

Intro is an American R&B trio from Brooklyn, New York City, New York. The trio consisted of members Jeff Sanders, Clinton "Buddy" Wike and lead singer/songwriter Kenny Greene. Intro released two albums (for Atlantic Records): 1993's Intro and their second album, 1995's New Life. The group had a string of US hits in the 1990s. The hits included the singles "Let Me Be The One", the Stevie Wonder cover "Ribbon in the Sky", "Funny How Time Flies" and their highest charting hit, "Come Inside".

Intro's Kenny Greene died from complications of AIDS in 2001. Intro recently emerged as a quintet consisting of Clinton "Buddy" Wike, Jeff Sanders, Ramon Adams and Eric Pruitt. Adams departed in 2014, with the group back down to its lineup as a trio. They are currently recording a new album to be released in 2015. The group released a new single in 2013 called "I Didn't Sleep With Her" and a new single "Lucky" in October 2014.

Discography

Albums

Singles

References

Ich Troje ("The Three of Them") is a Polish pop band. Former members are Magdalena Pokora (aka Magda Femme, 1996–2000), Justyna Majkowska (2000–2003), Elli Mücke (2003) and Ania Wisniewska (2003–2010).

Ich Troje was founded in 1996 by songwriter Michał Wiśniewski and composer Jacek Łągwa.

Despite this, the group had five members when taking part in the Eurovision Song Contest 2006, with German rapper O-Jay (Olaf Jeglitza) as the fifth member.

Their music is castigated by critics, and Michal Wisniewski has said himself that he can't actually sing.

Nevertheless, since 2000, Ich Troje has been one of the most successful Polish groups. They have sold more than 1.5 million records since June 2001. For the past two years, Ich Troje have given over 300 concerts. Their songs are typically about love, betrayal and break-ups.

On 25 January 2003, Polish TV viewers chose Ich Troje to represent them in 2003 Eurovision Song Contest by televoting. They performed a song called Keine Grenzen-Żadnych granic, which was sung in three languages: (Polish, German, and Russian). The song finished seventh. A fully German version of the song was recorded as well.

Bewitched is the second album by American alternative rock band Luna.

Track listing

All tracks are by Luna with lyrics by Dean Wareham

Credits

Credits

Guests

Production

Bewitched was a noise rock musical project headed by American percussionist Bob Bert. It was founded in 1986 after Bert had left the band Sonic Youth the previous year. The project began as a solo effort but morphed to incorporate several other musicians, including violinist Donna Croughn of Tiny Lights. The music was noise rock influenced with an emphasis placed on Bert's drumming. It also incorporated turntables courtesy of DJ David Cream of Wheat P, which at the time was innovative.

History

After drummer and percussionist Bob Bert amicably departed from Sonic Youth, he decided he wanted to pursue his own musical project. Concurrent to his involvement in the band Pussy Galore, Bert released the Chocolate Frenzy single in 1986 under the name Bewitched. It featured Suzanne Sasic performing vocals, Mark Cunningham on trumpet and Dave Rick on drums and was produced by Wharton Tiers at his Fun City studio in New York City. The music drew inspiration from Einstürzende Neubauten, Big Stick and the Butthole Surfers.

The Bewitched (French: L'Ensorcelée) is an 1852 novel by the French writer Jules Barbey d'Aurevilly. The narrative is set in Normandy in the early 19th century. It tells the story of a young woman, married to a farmer ruined by the French Revolution, who falls in love with a priest and commits suicide when the infatuation comes to nothing. Her widowed husband then sets out to kill the priest out of jealousy.

The novel was the first in a suite of three novels which were set in Normandy and rooted in local folklore and legends. It was serialised in Journal l'Assemblée nationale in 1852 and published as a book in 1854. An English translation by Louise Collier Willcox was published in 1928.

Reception

Brian G. Rogers wrote in his 1967 book on Barbey d'Aurevilly: "L'Ensorcelée, with its real and symbolic landscapes, its well-organised plot and its regionalistic flavour, is one of Barbey d'Aurevilly's most successful novels. Largely free from the repetitions and stylistic errors of the earlier works, it inaugurates the Normandy cycle with a flourish, and, with its parallel themes of passionate and 'satanic' possession, provides a further commentary on its author's evolving attitude to his continuing preoccupations."

Damnation (Hungarian: Kárhozat) is a black-and-white 1988 Hungarian film directed by Béla Tarr. The screenplay was co-written by Tarr's frequent collaborator, László Krasznahorkai.

The movie has been compared to the works of Andrei Tarkovsky and Michelangelo Antonioni.

Plot

Damnation tells the story of Karrer (Miklós B. Székely), a depressed man in love with a married torch singer (Vali Kerekes) from a local bar, the Titanik. The singer broke off their affair, because she dreams of becoming famous. Karrer is offered smuggling work by Willarsky (Gyula Pauer), the bartender at the Titanik. Karrer offers the job to the singer's husband, Sebestyén (György Cserhalmi). This gets him out of the way, but things don't go as Karrer plans. Betrayals follow. Karrer despairs.

Reception

Damnation is generally acclaimed by film critics, and many rank it one of Tarr's finest works. Review aggregator Rotten Tomatoes reports a 92% approval rating based on 12 reviews. Michael Atkinson of Village Voice called the film "a serotonin-depleted ordeal, and yet seemingly a sketchbook of vibes and ideas to come, with some of the most magnificent black-and-white images shot anywhere in the world."Jonathan Rosenbaum wrote in the Chicago Reader, "The near miracle is that something so compulsively watchable can be made out of a setting and society that seem so depressive and petrified." Writing for Slant Magazine, Jeremiah Kipp argued, "In terms of creating a strong cinematic world, Tarr has few equals."