A technology demonstration or Demonstrator model is a prototype, rough example or an otherwise incomplete version of a conceivable product or future system, put together as proof of concept with the primary purpose of showcasing the possible applications, feasibility, performance and method of an idea for a new technology. They can be used as demonstrations to the investors, partners, journalists or even to potential customers in order to convince them of the viability of the chosen approach, or to test them on ordinary users.
Computer technology demonstrations should not be confused with demoscene-based demos, which, although often demonstrating new software techniques, are regarded as a stand-alone form of computer art.
Technology demonstrations are often used in the computer industry, emerging as an important tool in response to short development cycles, in both software and hardware development.
The Flatliners are a punk rock band from Richmond Hill and Brampton, Ontario, Canada. Since their formation in 2002, The Flatliners have been a growing influence in the Toronto punk/ska movement as well as other areas of the Greater Toronto Area. They are currently signed to Fat Wreck Chords and New Damage Records (Canada). As well, they won the inaugural, annual "Best Band Ever" award given by the Edmonton Vinyl Blog DigitalIsDead. The small publication has also named their third LP, "Cavalcade" the front runner for their annual "Record Of The Year" award for 2010. Their album Dead Language was nominated for a 2014 Juno Award in the category of Metal/Hard Music Album of the Year."
Demo is a demo EP, as well as the first release, by American punk rock band Hostage Calm. The EP was released on August 14, 2007 through Headcount Records.
All music composed by Hostage Calm.
Sessions was a compilation album by The Beatles planned for release by EMI in 1985, but never issued due to objections by the surviving Beatles. The album consisted of thirteen finished, but unreleased, Beatles songs. A single—"Leave My Kitten Alone", with an alternative version of "Ob-La-Di, Ob-La-Da", which was not to appear on the album, as its B-side—was also planned, but it too was left unissued.
"Come and Get It" was a demo recording performed by Paul McCartney solo and eventually handed over to and recorded by the group Badfinger. George Harrison would re-record "Not Guilty" on his album George Harrison in 1979. "How Do You Do It?" had been recorded for a possible early single at the request of George Martin, but scrapped in favour of "Please Please Me". The album also was to include an edit of "Christmas Time (Is Here Again)", from the group's 1967 fan club Christmas single.
Versions of all the songs planned for Sessions would eventually see official release as part of The Beatles Anthology series in 1995–96, with the exception of "Christmas Time (Is Here Again)", which was concurrently released on the "Free as a Bird" single. Bootlegs of various versions of the Sessions album made their way to the public in the late 1980s and early 1990s, some from leaks of internal EMI copies.
1958 Miles is a compilation album by American jazz musician Miles Davis, released in 1974 on CBS/Sony. Recording sessions for the album took place on May 26, 1958 at Columbia's 30th Street Studio and September 9, 1958 at the Plaza Hotel in New York City. 1958 Miles consists of three songs featured on side two of the LP album Jazz Track, which was released earlier in 1958, and three recordings from Davis' live performance at the Plaza Hotel with his ensemble sextet. The recording date at 30th Street Studio served as the first documented session to feature pianist Bill Evans performing in Davis' group.
The sessions for the album in mid-1958, along with the Milestones sessions from earlier that year, were seen by many music writers as elemental in Miles Davis' transition from bebop to the modal style of jazz and were viewed as precursors to his best-known work, Kind of Blue. Following audio engineering and digital restoration by engineer Larry Keyes at Sony Music New York Studio, the album was reissued on compact disc in 1991 as part of Columbia's Jazz Masterpieces Series. For later reissues, the album was retitled as '58 Sessions Featuring Stella by Starlight or '58 Miles Featuring Stella by Starlight. The complete 1958 sessions for Columbia were issued on the box set The Complete Columbia Recordings of Miles Davis with John Coltrane, and Jazz at the Plaza was reissued in 2001. The first four tracks were also released as Bonus disc of the 50 Anniversary Collector's Edition of Kind of Blue.
Sessions: 1986-1988 is the only officially released record by the American rock band Bundle of Hiss.
Geisha (芸者), geiko (芸子) or geigi (芸妓) are traditional Japanese female entertainers who act as hostesses and whose skills include performing various arts such as classical music, dance, games and conversation, mainly to entertain male customers.
Geisha (/ˈɡeɪʃə/; Japanese: [ɡeːɕa]), like all Japanese nouns, has no distinct singular or plural variants. The word consists of two kanji, 芸 (gei) meaning "art" and 者 (sha) meaning "person" or "doer". The most literal translation of geisha into English would be "artist," "performing artist," or "artisan." Another name for geisha is geiko (芸子), which is usually used to refer to geisha from western Japan, which includes Kyoto.
Apprentice geisha are called maiko (舞子 or 舞妓), (literally "dance child") or hangyoku (半玉), "half-jewel" (meaning that they are paid half of the wage of a full geisha), or by the more generic term o-shaku (御酌), literally "one who pours (alcohol)". The white make-up and elaborate kimono and hair of a maiko is the popular image held of geisha. A woman entering the geisha community does not have to begin as a maiko, having the opportunity to begin her career as a full geisha. Either way, however, usually a year's training is involved before debuting either as a maiko or as a geisha. A woman above 21 is considered too old to be a maiko and becomes a full geisha upon her initiation into the geisha community. However, those who do go through the maiko stage can enjoy more prestige later in their professional lives.