Rear Admiral Mark Anderson CB is a former Royal Navy officer who served as Commander Operations and Rear Admiral, Submarines.
Educated at the University of Manchester, Anderson joined the Royal Navy in 1974 and was appointed commanding officer of the submarine HMS Talent in 1993. He became Military Assistant to the Chief of Defence Logistics in May 2000, Commanding Officer of the frigate HMS Marlborough as well as Captain of the 4th Frigate Squadron in August 2002 and Director Equipment Capability (Underwater Effects) in March 2003 before moving on to become the Chief of the Defence Staff's Liaison Officer to the U.S. Joint Chiefs of Staff Committee in July 2007 and Commander Operations and Rear Admiral, Submarines in January 2009. He retired from the Royal Navy in March 2011.
In retirement he became Strategy Director of Sonar & Undersea Systems and then Group Marketing Director at Ultra Electronics.
Mark Anderson (born 16 November 1991) is a male Belizean sprinter. He competed in the Men's 100 metres event at the 2015 World Championships in Athletics in Beijing, China.
Mark Anderson (born August 13, 1967) is an American journalist and author. He has written for Harper's, The Boston Globe, Wired, Science, and the Rolling Stone, and is also a regular contributor to New Scientist and Wired News. Anderson has a Master of Science degree in astrophysics.
Anderson's first book, "Shakespeare" by Another Name (Gotham Books, 2005), promulgates the Oxfordian theory that the Elizabethan court poet-playwright Edward de Vere, 17th Earl of Oxford wrote the works conventionally attributed to William Shakespeare. The book is the first Oxfordian literary biography – connecting de Vere's life and times to Shakespeare's plays and poems.
Anderson's second book, The Day the World Discovered the Sun (Da Capo Press, 2012), covers the historical adventures involved in, and the build-up surrounding, the 1761 and 1769 transits of Venus. The book details, in addition to the myriad far-flung voyages to record the transits, the critical leaps in progress made in oceanic navigation, and in astronomical calculations such as the precise distance from the earth to the sun, during this fruitful period.
"Good Vibrations" is a song by American rock band the Beach Boys, released as a single in October 1966. The song was composed and produced by Brian Wilson with lyrics by Mike Love. Initiated during the sessions for the Pet Sounds album, it was not taken from or issued as a lead single for an album, but rather as a stand-alone single, with the Pet Sounds instrumental "Let's Go Away For Awhile" as a B-side. "Good Vibrations" would later be considered for the aborted Smile project, and ultimately was placed on the album Smiley Smile 11 months after its release.
Wilson has recounted that the genesis of the title "Good Vibrations" came from when his mother explained to him as a child that dogs sometimes bark at people in response to their bad vibrations. Fascinated by the concept, Wilson turned it into the general idea of extrasensory perception, and developed the rest of the song as it was recorded. Some have related the song's lyricism and style to psychedelia and Wilson's LSD experiences, though Wilson has stated that he had written the song while on cannabis, not LSD.
"Good Vibrations" is a song by The Beach Boys.
Good Vibrations may also refer to:
The Beach Boys are an American rock band formed in Hawthorne, California in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and their friend Al Jardine. They emerged at the vanguard of the "California Sound", performing original surf songs that gained international popularity for their distinct vocal harmonies and lyrics exploring a southern California youth culture of surfing, cars, and romance. Influenced by jazz-based vocal groups, 1950s rock and roll, and doo-wop, Brian led the band in devising novel approaches to music production, arranging his compositions for studio orchestras, and experimenting with several genres ranging from pop ballads to psychedelic and baroque.
The group began as a garage band managed by the Wilsons' father Murry, with Brian's creative ambitions and sophisticated songwriting abilities dominating the group's musical direction. After 1964, their albums took a different stylistic path that featured more personal lyrics, multi-layered sounds, and recording experiments. In 1966, the Pet Sounds album and "Good Vibrations" single vaunted the group to the top level of rock innovators and established the band as symbols of the nascent counterculture era. Following the dissolution of Smile, Brian gradually ceded control to the rest of the band, reducing his input because of mental health and substance abuse issues. Though the more democratic incarnation of the Beach Boys recorded a string of albums in various music styles that garnered international critical success, the group struggled to reclaim their commercial momentum in America. Since the 1980s, much-publicized legal wrangling over royalties, songwriting credits and use of the band's name transpired.
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