Siempre may refer to:

Siempre is the third album of the classical crossover vocal group Il Divo.

Background

According to producer Steve Mac in an interview with HitQuarters, preparation for the album would involve Simon Cowell compiling a list of around 200 potential songs. Cowell would then whittle this number down to around 40 which he then presented to Mac for consideration. Mac would then tell Cowell which of these would or would not work. When the song list had been reduced to around 18 or 19 songs Mac would then try out the songs with the band to see which worked for them. 15 songs would then be recorded for the album.

The songs on Siempre ("Always" in Spanish) include new arrangements of "Nights in White Satin" (originally by The Moody Blues), "Caruso", "Without You", "Somewhere", "You Raise Me Up", a new version of the song "Music" from the 1970s renamed "Musica", and re-arranged by its original British composer John Miles. The album also features a cover of Bryan Adams' "Have You Ever Really Loved a Woman?" translated into the Spanish "Un Regalo Que Te Dio La Vida" (which literally means "A Gift That Life Gave You"). This album includes the Spanish adaptation by the famous Mexican composer and musician Armando Manzanero of "Una Noche" ("One Night," Spanish). Other original songs in this album include "La Vida Sin Amor" ("Life without Love," Spanish), and "Come Primavera" ("Like Spring," Italian).

Para may refer to:

Miscellaneous

Sports

Paraú is a municipality in the state of Rio Grande do Norte in the Northeast region of Brazil.

See also

References

Coordinates: 5°47′S 37°06′W / 5.783°S 37.100°W / -5.783; -37.100

Paraí is a municipality in the state Rio Grande do Sul, Brazil.

See also

Coordinates: 28°35′38″S 51°47′09″W / 28.59389°S 51.78583°W / -28.59389; -51.78583

Tulsa /ˈtʌlsə/ is the second-largest city in the state of Oklahoma and 47th-most populous city in the United States. As of July 2014, the population was 399,682, an increase of 7,776 over that reported in the 2010 Census. It is the principal municipality of the Tulsa Metropolitan Area, a region with 961,561 residents in the MSA and 1,131,458 in the CSA. The city serves as the county seat of Tulsa County, the most densely populated county in Oklahoma, with urban development extending into Osage, Rogers, and Wagoner counties.

Tulsa was settled between 1828 and 1836 by the Lochapoka Band of Creek Native American tribe. For most of the 20th century, the city held the nickname "Oil Capital of the World" and played a major role as one of the most important hubs for the American oil industry.

Once heavily dependent on the oil industry, economic downturn and subsequent diversification efforts created an economic base in the energy, finance, aviation, telecommunications and technology sectors. The Tulsa Port of Catoosa, at the head of the McClellan-Kerr Arkansas River Navigation System, is the most inland river port in the U.S. with access to international waterways. Two institutions of higher education within the city have sports teams at the NCAA Division I level, Oral Roberts University and the University of Tulsa.

Tulsa is a collection of black-and-white photographs by Larry Clark of the life of young people in Tulsa, Oklahoma. Its publication in 1971 "caused a sensation within the photographic community", leading to a new interest in autobiographical work.

Later better known for directing the movie Kids, Clark was a Tulsa native and a drug addict during the period (1963–1971) when he took the photographs. The book is prefaced by the statement:

Tulsa, Clark's first book, was published in 1971 by Lustrum Press, owned by Ralph Gibson. It has been claimed that thanks to Gene Pitney's 1960 song "Twenty Four Hours from Tulsa", Tulsa then represented "young love and family values"; Clark's book challenged this with scenes of young people having sex, shooting up drugs, and playing with guns.

Clark has said that he "didn't take these photographs as a voyeur, but as a participant in the phenomenon", and commentary on the book has emphasized how Clark did not just live with the teenagers portrayed but "did drugs with them, slept with them, and included himself in the photographs"; this conferred an authenticity on the work, which brought it great praise.