Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.

Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.

Track listing

Buddy may refer to:

Arts and entertainment

Films

Music

Other

People

Buddy is an animated cartoon character in the Warner Bros. Looney Tunes series of cartoons. He was the second star of the series, after Bosko.

Looney Tunes

Buddy has his origins in the chaos that followed the severing of relations between animators Hugh Harman and Rudy Ising from producer Leon Schlesinger. Without his animators and Bosko the Talk-Ink Kid, the star character they had taken with them, Schlesinger was desperate to build his own cartoon studio and maintain his contract with Warner Bros. He lured in several animators from other studios, among them Earl Duvall from Disney. Schlesinger told his new employees to create a star character for the studio, and Duvall created Buddy in 1933. The character had a troubled beginning, as Warner Bros. refused to accept his first two cartoons, resulting in Friz Freleng being called in to re-edit and condense them into a single short. In the book Of Mice and Magic: A History of American Animated Cartoons, animator Bob Clampett is quoted as describing Buddy as "Bosko in whiteface". Despite these initial problems, Buddy would go on to be the studio's linchpin character for the next two years.

Buddy (August 7, 1997 – January 2, 2002), a male chocolate-colored Labrador Retriever, was one of two pets kept by the Clinton family while Bill Clinton was President of the United States. The Clintons' other pet was a cat named Socks.

Life

Clinton acquired Buddy as a three-month-old puppy from Caroline County, Maryland in December 1997. He named him after his late great-uncle, Henry Oren "Buddy" Grisham, who had died the previous June and whom Clinton often cited as a major influence on his life. Socks did not get along with the frisky Buddy, so the White House had to keep the two in separate quarters. Since this arrangement would be no longer possible in the Clintons' smaller home in New York, Socks was left under the care of Bill Clinton's secretary, Betty Currie.

Death

According to the police report, Buddy was killed by a car while "playfully chasing a contractor" who had left the Clinton home in Chappaqua, New York, on January 2, 2002. The Clintons were not home at the time of the accident; their home was being watched by Secret Service agents. The agents rushed Buddy to an animal hospital where he was pronounced dead.

Gremlins is a 1984 American comedy horror film directed by Joe Dante and released by Warner Bros. The film is about a young man who receives a strange creature called a mogwai as a pet, which then spawns other creatures who transform into small, destructive, evil monsters. This story was continued with a sequel, Gremlins 2: The New Batch, released in 1990. Unlike the lighter sequel, Gremlins opts for more black comedy, balanced against a Christmastime setting. Both films were the center of large merchandising campaigns.

Steven Spielberg was the film's executive producer and the screenplay was written by Chris Columbus. The film stars Zach Galligan and Phoebe Cates, with Howie Mandel providing the voice of Gizmo, the main mogwai character. Gremlins was a commercial success and received positive reviews from critics. However, the film was also heavily criticized for some of its more violent sequences. In response to this and to similar complaints about Indiana Jones and the Temple of Doom, Spielberg suggested that the Motion Picture Association of America (MPAA) alter its rating system, which it did within two months of the film's release.

In computer data storage, data striping is the technique of segmenting logically sequential data, such as a file, so that consecutive segments are stored on different physical storage devices.

Striping is useful when a processing device requests data more quickly than a single storage device can provide it. By spreading segments across multiple devices which can be accessed concurrently, total data throughput is increased. It is also a useful method for balancing I/O load across an array of disks. Striping is used across disk drives in redundant array of independent disks (RAID) storage, network interface controllers, different computers in clustered file systems and grid-oriented storage, and RAM in some systems.

Method

One method of striping is done by interleaving sequential segments on storage devices in a round-robin fashion from the beginning of the data sequence. This works well for streaming data, but subsequent random accesses will require knowledge of which device contains the data. If the data is stored such that the physical address of each data segment is assigned a 1-to-1 mapping to a particular device, the device to access each segment requested can be calculated from the address without knowing the offset of the data within the full sequence.