Ass may refer to:

ASS may stand for:

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Technology

The buttocks (singular: buttock) are two rounded portions of the anatomy, located on the posterior of the pelvic region of apes (including humans), and many other bipeds or quadrupeds, and comprise a layer of fat superimposed on the gluteus maximus and gluteus medius muscles. Physiologically, the buttocks enable weight to be taken off the feet while sitting. In many cultures, they play a role in sexual attraction. Many cultures have also used them as a target for corporal punishment. There are several connotations of buttocks in art, fashion, culture and humor, and the English language is replete with many popular synonyms. In humans the buttocks are located between the lower back and the perineum.

Anatomy

The buttocks are formed by the masses of the gluteal muscles or "glutes" (the gluteus maximus muscle and the gluteus medius muscle) superimposed by a layer of fat. The superior aspect of the buttock ends at the iliac crest, and the lower aspect is outlined by the horizontal gluteal crease. The gluteus maximus has two insertion points: ¹⁄₃ superior portion of the linea aspera of the femur, and the superior portion of the iliotibial tractus. The masses of the gluteus maximus muscle are separated by an intermediate intergluteal cleft or "crack" in which the anus is situated.

Taylor Mead's Ass (1964) is a film by Andy Warhol featuring Taylor Mead, consisting entirely of a shot of Mead's buttocks, and filmed at The Factory.

According to Watson's Factory Made: Warhol and the Sixties, Taylor Mead had achieved a degree of fame that "inspired a backlash." One example was a letter to the editors at The Village Voice in August 1964 which complained about "films focusing on Taylor Mead's ass for two hours." Mead replied in a letter to the publication that no such film was found in the archives, but "we are rectifying this undersight." Two days later, Warhol shot the "sixty-minute opus that consisted entirely of Taylor Mead's Ass," during which Mead first exhibits a variety of movement, then appears to "shove a variety of objects up his ass." The film was Mead's last for Warhol "for more than three years", at the end of 1964, "Mead felt betrayed by Warhol for not showing the film."

The film was described as "seventy-six seriocomic minutes of this poet/actor's buttocks absorbing light, attention, debris" by Wayne Koestenbaum, in Art Forum. In his book, Andy Warhol, Koestenbaum writes "Staring at his cleft moon for 76 minutes, I begin to understand its abstractions: high-contrast lighting conscripts the ass into being a figure for whiteness itself, particularly when the ass merges with the blank leader at each reel's end. The buttocks, seen in isolation, seem explicitly double: two cheeks, divided in the centre by a dark line. The bottom's double structure recalls Andy's two-paneled paintings . . . "

A reading of a bill is a debate on the bill held before the general body of a legislature, as opposed to before a committee or other group. In the Westminster system, there are usually several readings of a bill among the stages it passes through before becoming law as an Act of Parliament. Some of these readings are usually formalities rather than substantive debates.

First reading

A first reading is when a bill is introduced to a legislature. Typically, in the United States, the title of the bill is read and immediately assigned to a committee. The bill is then considered by committee between the first and second readings. In the United States Senate and most British-influenced legislatures, the committee consideration occurs between second and third readings.

In Ireland, the first reading is referred to as "First Stage" and is leave to introduce a bill into a House of the Oireachtas. It may be taken in either house, but it does not need to be taken in both.

In New Zealand, once a bill passes first reading it is normally referred to a Select Committee. However, a Government can have a bill skip the select committee stage by a simple majority vote in Parliament.

A pass is permission to be away from one's military unit for a limited period of time. Time away on a pass is not counted against leave, the annual allotment of days off from duty.

Types of passes

By country variations

In the RAF, a "Permanent Pass" known as Form 557 would be issued to servicemen of good standing and six-months service allowing them to leave the quarters after duty until midnight and no further than eight miles (or as otherwise restricted on the form). It could be endorsed with permission to wear plain clothes.

In several forms of football a forward pass is a throwing of the ball in the direction that the offensive team is trying to move, towards the defensive team's goal line. The forward pass is one of the main distinguishers between gridiron football (American football and Canadian football) in which the play is legal and widespread, and rugby football (union and league) from which the North American games evolved, in which the play is illegal.

In some football codes, such as association football (soccer), the kicked forward pass is used so ubiquitously that it is not thought of as a distinct kind of play at all. In these sports, the concept of offside is used to regulate who can be in front of the play or be nearest to the goal. However, this has not always been the case. Some earlier incarnations of football allowed unlimited forward passing, while others had strict offside rules similar to rugby.

The development of the forward pass in American football shows how the game has evolved from its rugby roots into the distinctive game it is today. Illegal and experimental forward passes had been attempted as early as 1876, but the first legal forward pass in American football took place in 1906, after a change in rules. Another change in rules occurred on January 18, 1951, which established that no center, tackle, or guard could receive a forward pass. Today, the only linemen who can receive a forward pass are the ends. Current rules regulate who may throw and who may receive a forward pass, and under what circumstances, as well as how the defensive team may try to prevent a pass from being completed. The primary pass thrower is the quarterback, and statistical analysis is used to determine a quarterback's success rate at passing in various situations, as well as a team's overall success at the "passing game."