Koi no katamichi kippu

1960
1 Std. 22 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Kazuya Kosaka in Koi no katamichi kippu (1960)

Füge eine Handlung in deiner Sprache hinzuThe backstage romances of an egotistical singer and his under-valued manager, a lovelorn bandman and a nude dancer.The backstage romances of an egotistical singer and his under-valued manager, a lovelorn bandman and a nude dancer.The backstage romances of an egotistical singer and his under-valued manager, a lovelorn bandman and a nude dancer.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,6/10

195

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Fotos

Handlung

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Wissenswertes
Inspired by the Neil Sedaka song "One Way Ticket," a huge hit in Japan in 1959.

Patzer
When you see him play his fingers do not move.

Zitate
Kenji Shirai: Isn't he a good guy?
Mitsuko Maki: Yes. Where does he work?
Kenji Shirai: He's like an underling for a big shot in the area.
Mitsuko Maki: An underling?
Kenji Shirai: To be frank, he's a yakuza. He had no luck finding a job either and ended up like that.

Verbindungen
Referenced in Bilder in Bewegung - Das Jahrhundert des Kinos: 100 Jahre japanisches Kino (1995)

Soundtracks
The Battle Hymn of the Republic
(uncredited)
Music by William Steffe

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Ausgewählte Rezension

4/10

Slightly below-average soap opera/melodrama

There's nothing other than the soundtrack that really shines in this film. It's about three men, two of them musicians, in love with the same woman. Nothing innovative as far as plot and story go.

The main leads play kind of wimpy characters. There was potential there for some hot-mess drama if the author had made them much stronger instead of portraying them as codependents who can be manipulated into doing just about anything. It made it difficult to find the film engaging.

I did like the camera work. The editing is actually quite good. But the ending left me with a big fat, "What?" It brought my initial rating of a 6 down to a 4.