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The Great Fatted Bull
Introduction
Tablet #36
Translation
Annotations
Transliteration
Sumerian Images
Sumerian History
The Royal Tombs of Ur
The "Standard" of Ur?
Standard of Ur:  Narrative
Eannatum
Vulture Stele Translation
Sumerian War Chariots
War Chariot Deconstructed
Sumerian Chariot  Model
Gudea Translation
The Face of Gudea
Unknown Portrait of Gudea
The Face of Ur-Ningirsu
The Face of Lugal-agrig-zi
Ur-Namma Translation
The Face of Ur-Namma
Face of Ur-Namma, part II
I am Ur-Namma
Shulgi
The Face of Shulgi
Who Were the Sumerians?
Other Sumerian Kings
The Princess Wife
Princess Wife sequel
PW2 sequel translation
PW2 notes on translation
PW2 sequel transliteration
Princess Wife whole story
The Great Fatted Jackass
Mesopotamian Prostitutes
Sumerian Queens
Unknown Sumerian Queen
Another Sumerian Queen
Pu-abi, the Queen?
A Sumerian Princess
Sumerian Lukurs
The Divine Right to Rule
Sargon's Victory Stele
Helmet: the King of Kish
The Standard of Mari?
The Battles of Ishqi-Mari
Miscellaneous
The Invention of Writing
Adventures in Cuneiform
The Sumerian Scribe
A Masterpiece
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The story of The Princess Wife, the sequel

by Jerald Jack Starr


In April of 2015, I translated Tablet BE 31,28, the original story of The Princess Wife (PW1).
Tablet MS 3228 is a continuation of the story, so it is The Princess Wife sequel (PW2).

The opening lines of PW2 are missing due to damage on the tablet, but these lines are provided by PW1. Both tablets share the middle of the story, and PW2 has the ending. Therefore, the two tablets merge seamlessly to form The Princess Wife, the Whole Story (PW3). Added together, they create a literary masterpiece. This is one of the most important literary works in human history. It is certainly the most important work in Women’s Literature because it is the first time in history where a smart strong woman is the hero of a story.

The tale of The Princess Wife is a political satire that is told from a woman’s point of view.
She is married to Prince Mulu, the Great Fatted Donkey. The princess wife is secretly
plotting against him. She is planning a coup d’état. This is also her way of getting a divorce.

PW2 adds the “final chapter” to the narrative. It is a very interesting chapter. There is a shocking development in the plot, which is followed by a surprising twist at the end.

PW1 and PW2 are essentially the same story, but they differ on one minor detail. This one little detail completely alters the entire course of events:

In PW1, the princess is the wife of Prince Mulu, who is the son of Bantu, the Supreme Lord. As merely a wife and a daughter-in-law, the princess has no real power of her own, but she cleverly manipulates events so that she comes out on top.

PW2 adds a new dimension to the princess wife. This time she is the daughter of Bantu,
the Supreme Lord. Now she is operating from a position of strength. She has the power
and she knows how to use it.

The princess wife is the same woman in both versions of the story, but she acts different depending on the circumstances. That’s what makes her so interesting. In either version,
she is the most extraordinary woman in all of ancient literature. No other ancient story
offers two contrasting portraits of the same woman, a woman who is smart and strong
and very complex.

This leads me to believe that PW2 was written by a female scribe. Six years ago,
I suspected that PW1 was probably written by a woman. PW2 only confirms my suspicions.
I suggest both tablets were written by female scribes. I have no proof of it, but that’s what
I’m saying. The readers can make up their own minds about it when they read the story.

This cuneiform tablet is almost 4,000 years old. In all of human literature, there has never been a woman quite like the princess wife. Not before, not since.



The translation for the Princess Wife sequel is given on a separate page, but if you
read it first, then you will know the end of the story before you know the beginning.

I suggest you go directly to the translation of The Princess Wife, the whole story.



March 8, 2021