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Selection models in the music industry: How a prior independent experience may affect chart success

Andrea Ordanini ()

Journal of Cultural Economics, 2006, vol. 30, issue 3, 183-200

Abstract: The is article analyses the two main approaches for artists’ selection in the recording industry: the direct model in which large major companies directly choose new artists from the supply market, and the agency model in which small independent labels realise the first choice and, subsequently, large organisations pick their new artists among those pre-selected by independents. An empirical analysis of chart sales reveals that artists selected through the agency model exhibit a longer presence on the chart due to repeated successes, while they are slower to reach heavy success once they have entered the chart. Conversely, the direct model leads to artists with a faster path to a strong success, but the same artists have a shorter presence on the chart due to the sporadic nature of their success. The profile of artists selected through these two models is also found to be different: big international soloist stars are more frequently selected through the direct model, while national bands are more frequently selected through the agency model. The insights suggest important implications for management in the cultural industries and especially in the recording industry. Copyright Springer Science+Business Media, Inc. 2006

Keywords: Artist selection; Cultural industries; Music market (search for similar items in EconPapers)
Date: 2006
References: View references in EconPapers View complete reference list from CitEc
Citations: View citations in EconPapers (10)

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Persistent link: https://EconPapers.repec.org/RePEc:kap:jculte:v:30:y:2006:i:3:p:183-200

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DOI: 10.1007/s10824-006-9013-8

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Journal of Cultural Economics is currently edited by Federico Etro and Douglas Noonan

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